McGovern tackles uncertainty in an array of forms—illness, college, career, love—with ethnically diverse characters and...
"My mother is my crystal ball," declares 17-year-old Rose Levenson. She's right in more ways than she believes.
Rose's mother suffers from Huntington's disease, a rare, genetic, fatally progressive physical and mental disease—"the tiniest typo in a book with billions of words"—that Rose stands a 50 percent chance of developing. When she meets Caleb, an African-American art student whose mother and sisters have sickle cell anemia, she realizes that she can take a genetic test when she's 18 to find out whether she inherited more than her mother's love of trains and dancing. Her developing romance with Caleb, fraught with frank arguments on race and the perversely human tendency to compare problems, sparks more suspense than her life-or-death indecision about being tested. Despite everything the result would influence—college, family, a future in ballet—Rose's attitude is flatly pessimistic. While understandable against her mother's horrifying personality fluctuations, this is also frustrating. She highlights loss of empathy as a Huntington's symptom while extending little to family and friends herself, dismissing even her mother's grief as a "one-sided irrational disease-induced rampage"; by the time she acknowledges her friends' problems and her mother's personhood, readers may have lost their patience.
McGovern tackles uncertainty in an array of forms—illness, college, career, love—with ethnically diverse characters and occasionally memorable phrases, but through Rose's often self-centered point of view, the result is uneven. (Fiction. 14-18)Pub Date: Nov. 24, 2015
ISBN: 978-0-374-30158-3
Page Count: 352
Publisher: Farrar, Straus and Giroux
Review Posted Online: Aug. 11, 2015
Kirkus Reviews Issue: Sept. 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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