"My mother is my crystal ball," declares 17-year-old Rose Levenson. She's right in more ways than she believes.
Rose's mother suffers from Huntington's disease, a rare, genetic, fatally progressive physical and mental disease—"the tiniest typo in a book with billions of words"—that Rose stands a 50 percent chance of developing. When she meets Caleb, an African-American art student whose mother and sisters have sickle cell anemia, she realizes that she can take a genetic test when she's 18 to find out whether she inherited more than her mother's love of trains and dancing. Her developing romance with Caleb, fraught with frank arguments on race and the perversely human tendency to compare problems, sparks more suspense than her life-or-death indecision about being tested. Despite everything the result would influence—college, family, a future in ballet—Rose's attitude is flatly pessimistic. While understandable against her mother's horrifying personality fluctuations, this is also frustrating. She highlights loss of empathy as a Huntington's symptom while extending little to family and friends herself, dismissing even her mother's grief as a "one-sided irrational disease-induced rampage"; by the time she acknowledges her friends' problems and her mother's personhood, readers may have lost their patience.
McGovern tackles uncertainty in an array of forms—illness, college, career, love—with ethnically diverse characters and occasionally memorable phrases, but through Rose's often self-centered point of view, the result is uneven. (Fiction. 14-18)Pub Date: Nov. 24, 2015
ISBN: 978-0-374-30158-3
Page Count: 352
Publisher: Farrar, Straus and Giroux
Review Posted Online: Aug. 12, 2015
Kirkus Reviews Issue: Sept. 1, 2015
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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
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After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 4, 2016
Kirkus Reviews Issue: May 15, 2016
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
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In the three years following Eden’s brutal rape by her brother’s best friend, Kevin, she descends into anger, isolation, and promiscuity.
Eden’s silence about the assault is cemented by both Kevin’s confident assurance that if she tells anyone, “No one will ever believe you. You know that. No one. Not ever,” and a chillingly believable death threat. For the remainder of Eden’s freshman year, she withdraws from her family and becomes increasingly full of hatred for Kevin and the world she feels failed to protect her. But when a friend mentions that she’s “reinventing” herself, Eden embarks on a hopeful plan to do the same. She begins her sophomore year with new clothes and friendly smiles for her fellow students, which attract the romantic attentions of a kind senior athlete. But, bizarrely, Kevin’s younger sister goes on a smear campaign to label Eden a “totally slutty disgusting whore,” which sends Eden back toward self-destruction. Eden narrates in a tightly focused present tense how she withdraws again from nearly everyone and attempts to find comfort (or at least oblivion) through a series of nearly anonymous sexual encounters. This self-centeredness makes her relationships with other characters feel underdeveloped and even puzzling at times. Absent ethnic and cultural markers, Eden and her family and classmates are likely default white.
Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)Pub Date: March 22, 2016
ISBN: 978-1-4814-4935-9
Page Count: 384
Publisher: McElderry
Review Posted Online: Dec. 16, 2015
Kirkus Reviews Issue: Jan. 1, 2016
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
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