An intensely emotional and engaging tale of marriage, separation, and growth.
A woman struggles with responding to her husband’s infidelity.
In this debut contemporary novel, MacKenzie writes from the perspective of Kate René Willoughby, who discovers that after 22 years of marriage, her wealthy lawyer husband, Brian, is cheating on her. Kate, who has relocated to an Arizona ranch at Brian’s urging after many years spent living with him in Alaska, investigates his deceptions, both emotional and financial, as she attempts to decide whether or not to end her marriage. Kate’s story moves between the present and the past as she deals with the fallout from Brian’s adultery, remembers growing up with an abusive father, and takes comfort in the critters who surround her on the ranch (“I try to live in the here and now, to be grateful. For the roof over my head, the food I’m not eating, for the animals who force me out of bed each morning and keep me in a routine, who keep me alive”). When she finally makes a decision about Brian, Kate finds support within her community of friends and family as she learns to trust her own judgment and rediscovers her strengths. MacKenzie is a strong writer. Her evocative use of metaphors (“Like that innocent tarantula, I’m being consumed from the inside—by my husband’s love for another woman, by the words I hear him saying to her, by visions of skin against skin”), combined with the steady revelation of Brian’s secrets and deceits, will keep readers engaged even as Kate’s indecision about whether to leave is repetitive and drawn out far longer than necessary. Kate’s first-person narration gives readers a deep look into her thoughts, and fans of character-driven fiction will appreciate the intimacy of her portrayal and the power of her emotions. MacKenzie also does an effective job of incorporating the many animal characters into the story, allowing them to reveal Kate’s struggle without turning them into stand-ins for humans. The protagonist bears a strong resemblance to the author, beginning with their same first and middle names. Kate also shares many of the personal and professional experiences MacKenzie includes in her bio, making it difficult to separate the character from the author.
An intensely emotional and engaging tale of marriage, separation, and growth.Pub Date: N/A
ISBN: 978-1-73-542210-7
Page Count: 320
Publisher: Red Lace Books
Review Posted Online: May 10, 2021
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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