by Kate Wilhelm ‧ RELEASE DATE: March 27, 2012
An open-and-shut case of murder in a coastal Oregon resort town can’t be closed even though everyone concerned knows perfectly well who’s responsible.
Stefany Markov, whose peaceful canvases belie her turbulent spirit, has never shown her husbands much patience. So when she learns that spouse #4, Dale Oliver, has put price tags on the paintings she was exhibiting at the Silver Bay gallery he owned with Freddi Wordling, no one’s surprised when she screams that he’s through. The surprise is the contract she signs authorizing him to exhibit and even sell work she’s been hoarding for 30 years. An even bigger surprise is the news that she signed the contract with Dale “Stephanie Markoff,” presumably intending that the misspellings of both her first and last names would void the contract and torment Dale. Sadly, this last revelation comes only after Stef has taken a fatal tumble down the stairs in her home and Dale indicates his intention of enforcing the contract. Stef’s mother Marnie and her daughter Van, both convinced that Dale pushed her to her death before she could shove him out of her life, ask Tony Mauricio, a New York cop sent into disability retirement by a hail of bullets, to prove that Dale killed Stef. The more closely Tony looks into the case, the less confident he is that there’s any evidence against Dale that rises to the level of legal proof. But even if Tony can’t send Dale to prison, he has a much better chance of killing him. The creator of attorney Barbara Holloway (Heaven Is High, 2011, etc.) forgoes hot-button legal issues for a case that provides no mystery and little suspense but delivers the expected pleasures of the Howcatchem.
Pub Date: March 27, 2012
Page Count: 304
Review Posted Online: Jan. 30, 2012
Kirkus Reviews Issue: Feb. 15, 2012
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by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Pub Date: March 17, 2020
Page Count: 352
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by C.J. Box ‧ RELEASE DATE: July 28, 2015
A suspenseful, professional-grade north country procedural whose heroine, a deft mix of compassion and attitude, would be...
Box takes another break from his highly successful Joe Pickett series (Stone Cold, 2014, etc.) for a stand-alone about a police detective, a developmentally delayed boy, and a package everyone in North Dakota wants to grab.
Cassandra Dewell can’t leave Montana’s Lewis and Clark County fast enough for her new job as chief investigator for Jon Kirkbride, sheriff of Bakken County. She leaves behind no memories worth keeping: her husband is dead, her boss has made no bones about disliking her, and she’s looking forward to new responsibilities and the higher salary underwritten by North Dakota’s sudden oil boom. But Bakken County has its own issues. For one thing, it’s cold—a whole lot colder than the coldest weather Cassie’s ever imagined. For another, the job she turns out to have been hired for—leading an investigation her new boss doesn’t feel he can entrust to his own force—makes her queasy. The biggest problem, though, is one she doesn’t know about until it slaps her in the face. A fatal car accident that was anything but accidental has jarred loose a stash of methamphetamines and cash that’s become the center of a battle between the Sons of Freedom, Bakken County’s traditional drug sellers, and MS-13, the Salvadorian upstarts who are muscling in on their territory. It’s a setup that leaves scant room for law enforcement officers or for Kyle Westergaard, the 12-year-old paperboy damaged since birth by fetal alcohol syndrome, who’s walked away from the wreck with a prize all too many people would kill for.A suspenseful, professional-grade north country procedural whose heroine, a deft mix of compassion and attitude, would be welcome to return and tie up the gaping loose end Box leaves. The unrelenting cold makes this the perfect beach read.
Pub Date: July 28, 2015
Page Count: 272
Review Posted Online: April 21, 2015
Kirkus Reviews Issue: May 15, 2015
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