Hollywood rallies for a unique charitable venture.

In 2010, award-winning actress Winslet narrated the documentary A Mother’s Courage about the plight of Margret Ericsdottir, loving mother to teenaged son Keli, who was stricken with nonverbal autism. The film drew widespread attention for its stark depiction of a child silenced by the ailment, able to communicate with only pen and paper, and of the lack of support and resources available to families surviving with it. Ericsdottir and Winslet remained close, yet as a mother of two “verbal, expressive, affectionate children,” Winslet continued to be moved by Keli’s poetry and creative writing, along with the stories Margret shared by email. In a particularly heart-rending section, Ericsdottir shares her heartbreaking story of love and devotion to a son struggling to communicate everything from food choices to nagging physical pain from osteoporosis. The humanitarian actress soon resolved to do something beneficial for the cause. She began sending around an old tattered hat to celebrities, requesting they photograph themselves wearing it along with a witty, personally worded expression. The photographs—ranging from the humorous (Conan O’Brien, Steven Soderbergh) to the heartfelt (Reese Witherspoon, Oprah Winfrey) to the bizarre (Woody Allen, Edward Burns)—are all prefaced by the powerfully poignant “first words” of ten pictured individuals with nonverbal autism. Many pronouncements overshadow their accompanying photographs. Kylie Minogue offers, “I can still hear you, even though the show has finished. Can you hear me?”; both South African designer Albertus Swanepoel and Jodie Foster plead, “Don’t give up on me.” The book’s proceeds fund “The Golden Hat Foundation” to create autistic awareness and assisted-living campuses for those affected. A moving, sanguine labor of love.    


Pub Date: April 3, 2012

ISBN: 978-1-4516-4543-9

Page Count: 256

Publisher: Simon & Schuster

Review Posted Online: Jan. 31, 2012

Kirkus Reviews Issue: Feb. 15, 2012

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A straightforward tale of kindness and paying it forward in 1980s New York.

When advertising executive Schroff answered a child’s request for spare change by inviting him for lunch, she did not expect the encounter to grow into a friendship that would endure into his adulthood. The author recounts how she and Maurice, a promising boy from a drug-addicted family, learned to trust each other. Schroff acknowledges risks—including the possibility of her actions being misconstrued and the tension of crossing socio-economic divides—but does not dwell on the complexities of homelessness or the philosophical problems of altruism. She does not question whether public recognition is beneficial, or whether it is sufficient for the recipient to realize the extent of what has been done. With the assistance of People human-interest writer Tresniowski (Tiger Virtues, 2005, etc.), Schroff adheres to a personal narrative that traces her troubled relationship with her father, her meetings with Maurice and his background, all while avoiding direct parallels, noting that their childhoods differed in severity even if they shared similar emotional voids. With feel-good dramatizations, the story seldom transcends the message that reaching out makes a difference. It is framed in simple terms, from attributing the first meeting to “two people with complicated pasts and fragile dreams” that were “somehow meant to be friends” to the conclusion that love is a driving force. Admirably, Schroff notes that she did not seek a role as a “substitute parent,” and she does not judge Maurice’s mother for her lifestyle. That both main figures experience a few setbacks yet eventually survive is never in question; the story fittingly concludes with an epilogue by Maurice. For readers seeking an uplifting reminder that small gestures matter.


Pub Date: Nov. 1, 2011

ISBN: 978-1-4516-4251-3

Page Count: 288

Publisher: Howard Books/Simon & Schuster

Review Posted Online: July 26, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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A vivid sequel that strains credulity.


Fremont (After Long Silence, 1999) continues—and alters—her story of how memories of the Holocaust affected her family.

At the age of 44, the author learned that her father had disowned her, declaring her “predeceased”—or dead in his eyes—in his will. It was his final insult: Her parents had stopped speaking to her after she’d published After Long Silence, which exposed them as Jewish Holocaust survivors who had posed as Catholics in Europe and America in order to hide multilayered secrets. Here, Fremont delves further into her tortured family dynamics and shows how the rift developed. One thread centers on her life after her harrowing childhood: her education at Wellesley and Boston University, the loss of her virginity to a college boyfriend before accepting her lesbianism, her stint with the Peace Corps in Lesotho, and her decades of work as a lawyer in Boston. Another strand involves her fraught relationship with her sister, Lara, and how their difficulties relate to their father, a doctor embittered after years in the Siberian gulag; and their mother, deeply enmeshed with her own sister, Zosia, who had married an Italian count and stayed in Rome to raise a child. Fremont tells these stories with novelistic flair, ending with a surprising theory about why her parents hid their Judaism. Yet she often appears insensitive to the serious problems she says Lara once faced, including suicidal depression. “The whole point of suicide, I thought, was to succeed at it,” she writes. “My sister’s completion rate was pathetic.” Key facts also differ from those in her earlier work. After Long Silence says, for example, that the author grew up “in a small city in the Midwest” while she writes here that she grew up in “upstate New York,” changes Fremont says she made for “consistency” in the new book but that muddy its narrative waters. The discrepancies may not bother readers seeking psychological insights rather than factual accuracy, but others will wonder if this book should have been labeled a fictionalized autobiography rather than a memoir.

A vivid sequel that strains credulity.

Pub Date: Feb. 11, 2020

ISBN: 978-1-982113-60-5

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Oct. 20, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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