Unconditional love prevails—under a thick coating of pink.
A young fairy learns that wishes don’t always meet expectations.
Twinkle and her friends each long for a pet. Fairy Godmother decides they are old enough and makes their wishes come true. Pippa’s pet spell summons a fluttering butterfly. Lulu casts her spell, and a ladybug appears. Twinkle’s spell seems harmless enough: “Abracadabra, skiddledee-day, / my pet loves to run and play!” But with a crash from the fireplace, out tumbles a plump, feisty dragon. Twinkle was hoping for something a little more fluffy and cuddly. Twinkle tries to train her boisterous (and at times naughty) pet. Her words are polite—“Please fetch the ball now, Scruffy”—but frustration is apparent in her knitted brow and frown. Scruffy pays her no mind. There is no way Scruffy will win anything at the upcoming Fairy Pet Day! Luckily, with a few small words of encouragement—“Just do your best, Scruffy”—the little dragon steals the show. Warburton’s delicate world, complete with floating fairy dust and magic sparkle bursts, lifts Holabird’s somewhat cumbersome plot into a light and buoyant confection. Twinkle, Lulu, and Fairy Godmother present White, and Pippa, one of a small minority of fairies of color, presents Black. Scruffy has a round snout and little wings and is green with pink spots. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at 41.4% of actual size.)
Unconditional love prevails—under a thick coating of pink. (Picture book. 3-6)Pub Date: Jan. 5, 2021
ISBN: 978-1-5344-2919-2
Page Count: 32
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 12, 2020
Kirkus Reviews Issue: Nov. 1, 2020
The book is available in just about every format--but this is the perfect one.
It's hard to believe that a pop-up wasn't the creators' original intention, so seamlessly do moveable parts dovetail into this modern classic's storyline.
In contrast to the tale's 1998 pop -up version, the figures here move on every page, and with an unusually graceful naturalism to boot. From pulling down Big Nutbrown Hare's ears on the opening spread to make sure he's listening to drowsily turning his head to accept a final good-night kiss in a multi-leveled pull-down tableau at the close, all of Little Nutbrown Hare's hops, stretches and small gestures serve the poetically spare text—as do Big Nutbrown's wider, higher responses to his charge's challenges. As readers turn a flap to read Big Nutbrown's "But I love you this much," his arms extend to demonstrate. The emotional connection between the two hares is clearer than ever in Jeram's peaceful, restrained outdoor scenes, which are slightly larger than those in the trade edition, and the closing scene is made even more intimate by hiding the closing line ("I love you right up to the moon—and back") until an inconspicuous flap is opened up.
The book is available in just about every format--but this is the perfect one. (Pop-up picture book. 3-6)Pub Date: Sept. 13, 2011
ISBN: 978-0-7636-5378-1
Page Count: 16
Publisher: Candlewick
Review Posted Online: Sept. 21, 2020
Kirkus Reviews Issue: Nov. 1, 2011
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IN THE NEWS
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...
Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.
“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)Pub Date: July 1, 2014
ISBN: 978-1-4231-7573-5
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: May 18, 2014
Kirkus Reviews Issue: June 1, 2014
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