Covers all the bases: a welcome return to a long-beloved world that also takes the story in a fresh direction.
The first in a new Celtic-flavored fantasy trilogy, set a few centuries after a previous 15-book series concerning tangled fates, reincarnation, wars, and the relationships among humans, elves, dwarves, dragons, and other beings.
The land of Deverry once again faces the threat of civil war. Restive gwerbrets (Deverry’s equivalent to dukes) chafe against the rule of the Marked Prince Gwardon, who serves as regent for his ailing father, the High King. Meanwhile, the common people, aided by the bards and progressive scholars, cry out against the corrupt Deverry legal system, currently dominated by hereditary judges who tend to favor the noble and the wealthy over the principles of justice. Scholar Alyssa vairc Sirra goes on a mission to retrieve an ancient text that would provide historical precedent for elected judges, pursued by killers hired by the gwerbrets and the priests of Bel, who profit by the existing legal system. Protecting (and, naturally, developing feelings for) her along the way is Cavan, a disgraced nobleman–turned–silver dagger, a kind of mercenary soldier. But once they’ve returned with the book, they discover that their troubles are only just beginning. The book serves as a pointed rebuke to other high-fantasy series that posit that the same feudal society has existed for unchanging centuries; Deverry is evolving in a plausible and intriguing way, with its university system, controversy regarding and prejudice against increased possibilities for women, and a struggle for rights for the common people. People who haven’t read the previous 15 books (concluding with The Silver Mage in 2009) will probably be able to jump in here and enjoy the experience, but they will definitely miss various nuances, references, and cameos from several long-lived characters and their descendants that devoted fans will just love, especially those linked to Rhodry Maelwaedd, a main protagonist from the original series. The first, century-spanning series also included many incarnations of the same set of characters, and it seems likely that several of them have reincarnated appearances here as well.
Covers all the bases: a welcome return to a long-beloved world that also takes the story in a fresh direction.Pub Date: Feb. 18, 2020
ISBN: 978-0-7564-1367-5
Page Count: 384
Publisher: DAW/Berkley
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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