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THE SHIMMERING DOOR

A veteran fantasy writer's (Freeze Frames, 1995, etc.) anthology of 32 contemporary, original, mostly American stories. Greek myth is well-represented, with tales such as Susan Shwartz's feminist ``Hunters,'' about Artemis' tragic love affair with a mortal, and Esther M. Friesner's amusing if overlong ``Tea,'' about a lustful male aerobics instructor on a cruise ship who finds himself in the middle of a parlor squabble between Circe, Medea, and Prospero. Many efforts here draw upon reserves of deep sorrow: M. John Harrison's ``Seven Guesses of the Heart,'' for example, concerns the inability of magic to comfort a grieving father, and Gregory Feeley's ``The Drowning Cell'' is a sad story about a girl connecting with a boy who, centuries ago, drowned in a debtors' prison. Alternatively, the boy may be only an imaginary playmate, but, in any case, experiencing his sadness enables the girl to free herself of her own troubles. ``I just can't believe in a world where everything is run by science,'' says the main character in Connie Hirsch's amusing romp, ``Wicked Cool,'' which might be a manifesto for fantasy writers; most of these pieces feature some sort of ``magick''—in Hirsch's case, not always the magick of the Old Religion, since her witches fly around contemporary Boston on broomsticks. Mark Kreighbaum's overtitled ``Looking in the Heart of Light, the Silence,'' however, convincingly evokes the allure of the black arts: Two practitioners play out a foreordained scenario on a gloomy winter night in Minneapolis, intoning a series of powerful spells. Magick becomes bittersweet in Karawynn Long's clever commentary on the abortion debate, ``Riddle in Nine Syllables,'' in which a high-school girl invokes a medieval spell to induce a miscarriage in her friend, only to find herself carrying the fetus. Not flawless, but nearly so.

Pub Date: Aug. 1, 1996

ISBN: 0-06-105342-2

Page Count: 464

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1996

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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I, ROBOT

A new edition of the by now classic collection of affiliated stories which has already established its deserved longevity.

Pub Date: Aug. 16, 1963

ISBN: 055338256X

Page Count: -

Publisher: Doubleday

Review Posted Online: Sept. 13, 2011

Kirkus Reviews Issue: Aug. 1, 1963

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