THE GOBLIN EMPEROR

New fantasy from an author who, as Sarah Monette, wrote the Doctrine of Labyrinth series.

Eighteen-year-old half-goblin Maia, the despised youngest son of the Emperor, lives in wretched circumstances, exiled from the Imperial Court and overseen by his brutal cousin, Setheris. But then a courier arrives with the news that his father and elder brothers have been killed in an airship crash. Stunned and disconcerted, Maia must take his place as the rightful Emperor of the Elflands. Armed only with his quick wits, empathy and natural humility, his first task is to face down the arrogant and contemptuous Lord Chancellor, Uleris Chavar, and insist that he be crowned before his father's funeral. Alone and friendless, bewildered by the complex politics and economics of the court—and soon informed that his father’s death was caused by sabotage, not accident—Maia finds the burden almost unsupportable. He comes to rely on Csevet, the courier who becomes his secretary, for information and advice and on his guards Cala and Beshelar, who are sworn to protect him. Gradually he finds ways to solve intractable problems. He treats servants as people and women as equals, an approach that wins him many admirers but also enrages the more traditional nobles. Addison patiently and tellingly paints in the backdrop, mingling steampunk elements and low-key magic with imperial intricacies. There are powerful character studies and a plot full of small but deadly traps among which the sweet-natured, perplexed Maia must navigate. The result is a spellbinding and genuinely affecting drama.

Unreservedly recommended.

Pub Date: April 1, 2014

ISBN: 978-0-7653-2699-7

Page Count: 432

Publisher: Tor

Review Posted Online: Feb. 16, 2014

Kirkus Reviews Issue: March 1, 2014

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A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.

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THE PRIORY OF THE ORANGE TREE

After 1,000 years of peace, whispers that “the Nameless One will return” ignite the spark that sets the world order aflame.

No, the Nameless One is not a new nickname for Voldemort. Here, evil takes the shape of fire-breathing dragons—beasts that feed off chaos and imbalance—set on destroying humankind. The leader of these creatures, the Nameless One, has been trapped in the Abyss for ages after having been severely wounded by the sword Ascalon wielded by Galian Berethnet. These events brought about the current order: Virtudom, the kingdom set up by Berethnet, is a pious society that considers all dragons evil. In the East, dragons are worshiped as gods—but not the fire-breathing type. These dragons channel the power of water and are said to be born of stars. They forge a connection with humans by taking riders. In the South, an entirely different way of thinking exists. There, a society of female mages called the Priory worships the Mother. They don’t believe that the Berethnet line, continued by generations of queens, is the sacred key to keeping the Nameless One at bay. This means he could return—and soon. “Do you not see? It is a cycle.” The one thing uniting all corners of the world is fear. Representatives of each belief system—Queen Sabran the Ninth of Virtudom, hopeful dragon rider Tané of the East, and Ead Duryan, mage of the Priory from the South—are linked by the common goal of keeping the Nameless One trapped at any cost. This world of female warriors and leaders feels natural, and while there is a “chosen one” aspect to the tale, it’s far from the main point. Shannon’s depth of imagination and worldbuilding are impressive, as this 800-pager is filled not only with legend, but also with satisfying twists that turn legend on its head. Shannon isn’t new to this game of complex storytelling. Her Bone Season novels (The Song Rising, 2017, etc.) navigate a multilayered society of clairvoyants. Here, Shannon chooses a more traditional view of magic, where light fights against dark, earth against sky, and fire against water. Through these classic pairings, an entirely fresh and addicting tale is born. Shannon may favor detailed explication over keeping a steady pace, but the epic converging of plotlines at the end is enough to forgive.

A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.

Pub Date: Feb. 26, 2019

ISBN: 978-1-63557-029-8

Page Count: 848

Publisher: Bloomsbury

Review Posted Online: Dec. 23, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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DUNE

This future space fantasy might start an underground craze.

It feeds on the shades of Edgar Rice Burroughs (the Martian series), Aeschylus, Christ and J.R. Tolkien. The novel has a closed system of internal cross-references, and features a glossary, maps and appendices dealing with future religions and ecology. Dune itself is a desert planet where a certain spice liquor is mined in the sands; the spice is a supremely addictive narcotic and control of its distribution means control of the universe. This at a future time when the human race has reached a point of intellectual stagnation. What is needed is a Messiah. That's our hero, called variously Paul, then Muad'Dib (the One Who Points the Way), then Kwisatz Haderach (the space-time Messiah). Paul, who is a member of the House of Atreides (!), suddenly blooms in his middle teens with an ability to read the future and the reader too will be fascinated with the outcome of this projection.

With its bug-eyed monsters, one might think Dune was written thirty years ago; it has a fantastically complex schemata and it should interest advanced sci-fi devotees.

Pub Date: Oct. 15, 1965

ISBN: 0441013597

Page Count: 411

Publisher: Chilton

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Oct. 1, 1965

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