A look at betrayal and forgiveness that nicely balances humor and depth.
A journalist and single mom unexpectedly connects with her ex-husband’s new wife and begins a duplicitous friendship.
Liz, a journalist in her late 40s, has built a pretty amazing life out of the ashes her husband created years ago when he left her for another woman. She’s moved on with her life, becoming the editor of a national newspaper column called “My Turn,” in which regular people share their touching and hilarious personal stories. She has a healthy social life, goes on lots of dates, and maintains a close relationship with her college student son. On the outside, everything looks great…but secretly, Liz’s life is a bit messy. She’s sleeping with her married boss, Seamus, despite the fact that she still can’t quite get over how her own husband betrayed her in a similar fashion. And then one day, she gets a “My Turn” submission from a familiar name—it’s Nicole Szabo, otherwise known as her ex’s current wife and the reason Liz’s family was torn apart. Without revealing her identity, Liz corresponds with Nicole, making editorial changes while also slyly finding out details about Nicole’s marriage (and even offering some advice). Liz knows that what she’s doing with Nicole and Seamus is wrong, and she tries to fix things by buying tons of self-help books with titles like Forgiveness Is a Gift You Give Yourself. But books alone can’t solve her problems, and Liz’s inability to open up to the people in her life makes her push everyone away—including friends, potential romantic prospects, and her son. When Liz reaches a breaking point, can she truly put the past behind her so she can focus on the life in front of her? Ashenburg writes candidly about a complex character who’s allowed to screw up in big ways. Liz is never shamed for wanting love, sex, or companionship, although she often goes about it the wrong way. None of the characters are written off as easy “bad guys,” not even Liz’s ex-husband or his new wife. Many of Liz’s misadventures on her journey are comically cringeworthy, such as a visit to a “cuddle party” or the dates with a poet who won’t stop talking about his bowels.
A look at betrayal and forgiveness that nicely balances humor and depth.Pub Date: Aug. 3, 2021
ISBN: 978-0-06-308-444-5
Page Count: 288
Publisher: Perennial/HarperCollins
Review Posted Online: June 28, 2021
Kirkus Reviews Issue: July 15, 2021
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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