"The way a story is told has power," the narrator asserts; Catmull’s languorously beautiful telling is puissant indeed.
A haunting fable inflected with mythological and fairy-tale motifs finds two sisters abandoned by their parents in conflict with each other.
Summer, 12, and Bird, 9, live an idyllic life with their ornithologist father, their mother and their cat. When they wake one morning to find parents and cat gone, there is just an enigmatic "picture letter" from their mother left behind. Into the woods they go to find them, their fright exacerbating the resentments that normally exist between sisters. Bird finds the way into Down, a place of magic, and Summer follows, but soon they are tragically separated, and each must blunder along on her own. Their mother, it turns out, is queen of the birds, in human form since their father stole her swan robe. The evil Puppeteer craves her power, to have bird language and wings, and she cozens Bird into her service, White Witch–like. The girls’ physical journeys are metaphors for their emotional ones, the helpers and adversaries they meet as strange and as complicated as their psyches. The author balances this meticulous, symbol-rich narrative with a light, storyteller's voice, posing questions that readers must answer for themselves. At its heart, it is a story of love and imperfection, and of the necessity of embracing both.
"The way a story is told has power," the narrator asserts; Catmull’s languorously beautiful telling is puissant indeed. (Fantasy. 10-14)Pub Date: Oct. 2, 2012
ISBN: 978-0-525-95346-3
Page Count: 384
Publisher: Dutton
Review Posted Online: Aug. 7, 2012
Kirkus Reviews Issue: Sept. 1, 2012
BOOK REVIEW
BOOK REVIEW
Brilliant.
Young heroes rise to the challenge of protecting their home, family, and world when a new villain threatens the Glimouria Archipelago and the Immortal in this third series entry.
“New trouble” comes to the sanctuary of Glimt when Irian Guinne is kidnapped and Teren, the young Immortal, is threatened. Christopher Forrester, former princess Anya, jaculus dragon Jacques, and ratatoska navigator Ratwin undertake a series of herculean tasks to fulfill the kidnappers’ demands and free Irian, all without Nighthand’s knowledge or help. Christopher seeks knowledge from Naravirala the sphinx to understand his new, deeper connection to creatures (“It is the people you love who anchor you”), while Anya leans into her warrior nature (“What if I was born to be brave?”). Meanwhile, bandits with ouroboros bracelets pillage and burn across the Archipelago at the command of Astor Morax, and a fearsome tiger spies through mirrors. The white-presenting leads’ quest to save Irian is central, but brief sections visit Irian, Nighthand, and beautiful, deadly Carla Venasque. The climactic Battle of Glimt features ferocity, cleverness, sacrifice, and bravery, and the ending is more Shakespearean comedy than tragedy—but the danger to Teren is not over, leaving eager readers to await the fourth installment. This is a perfectly paced, mythology-laced tale of action, adventure, and heart that reminds readers that “the only thing stronger than fear is love, unceasingly and exultantly given.” Final art not seen.
Brilliant. (map, bestiary) (Fantasy. 10-14)Pub Date: Sept. 1, 2026
ISBN: 9780593809945
Page Count: 336
Publisher: Knopf
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel.
Sure signs that the creative wells are running dry at last, the Captain’s ninth, overstuffed outing both recycles a villain (see Book 4) and offers trendy anti-bullying wish fulfillment.
Not that there aren’t pranks and envelope-pushing quips aplenty. To start, in an alternate ending to the previous episode, Principal Krupp ends up in prison (“…a lot like being a student at Jerome Horwitz Elementary School, except that the prison had better funding”). There, he witnesses fellow inmate Tippy Tinkletrousers (aka Professor Poopypants) escape in a giant Robo-Suit (later reduced to time-traveling trousers). The villain sets off after George and Harold, who are in juvie (“not much different from our old school…except that they have library books here.”). Cut to five years previous, in a prequel to the whole series. George and Harold link up in kindergarten to reduce a quartet of vicious bullies to giggling insanity with a relentless series of pranks involving shaving cream, spiders, effeminate spoof text messages and friendship bracelets. Pilkey tucks both topical jokes and bathroom humor into the cartoon art, and ups the narrative’s lexical ante with terms like “pharmaceuticals” and “theatrical flair.” Unfortunately, the bullies’ sad fates force Krupp to resign, so he’s not around to save the Earth from being destroyed later on by Talking Toilets and other invaders…
Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel. (Fantasy. 10-12)Pub Date: Aug. 28, 2012
ISBN: 978-0-545-17534-0
Page Count: 304
Publisher: Scholastic
Review Posted Online: June 19, 2012
Kirkus Reviews Issue: July 15, 2012
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