Taut and engrossing, with a tough humanity.
In this novel, a victim-support counselor in New Zealand finds that the case of a missing girl takes a bizarre turn when a self-proclaimed psychic gets involved.
Christine Emmett, who was once a psychiatrist until she “realized how futile the entire field was,” is close to burning out in her volunteer work as a victim-support counselor for the North Christchurch region working (uneasily) with police. She also runs a support group for mothers with sick, missing or dead children; her own young daughter died, though readers don’t learn exactly how until the end. She’s increasingly distant from her husband, Gary, who drinks heavily. Christine drags herself to her next patient, Rena Sutherland, who woke from a coma to find her young daughter missing. Amid the media glare, a woman, claiming to be a psychic, provides police with valuable information. Meanwhile, one support-group member is falling apart because her daughter’s killer has been released. Could he have taken Rena’s child? As old crimes and tragedies surface, Christine must confront her own past. In her debut novel, Hayton wisely stays away from exploiting her subject for shock value. Rather than describing the disgusting details of crimes against children, she focuses on her characters and how they cope. Her characters are well-drawn, with believable and often heartbreaking histories, warts and all. The portrayals are multilayered. Christine’s cynicism, for example, is clearly a thin mask for her depression, self-hatred and grief but is also bracingly unsentimental, with a side of gallows humor. Hayton draws subtle, interesting and fruitful parallels between the Christchurch earthquake of 2011 and emotional recovery as her broken characters work to navigate the twisted streets of their broken city. It’s a study in surviving disaster as much as it is a mystery novel. One episode perhaps parallels too closely a scene in Tom Perotta’s Little Children, but it’s a minor fault.
Taut and engrossing, with a tough humanity.Pub Date: July 2, 2014
ISBN: 978-0473279936
Page Count: 214
Publisher: CreateSpace
Review Posted Online: Oct. 30, 2014
Kirkus Reviews Issue: Jan. 1, 2015
Review Program: Kirkus Indie
BOOK REVIEW
A presold prefab blockbuster, what with King's Carrie hitting the moviehouses, Salem's Lot being lensed, The Shining itself sold to Warner Bros. and tapped as a Literary Guild full selection, NAL paperback, etc. (enough activity to demand an afterlife to consummate it all).
The setting is The Overlook, a palatial resort on a Colorado mountain top, snowbound and closed down for the long, long winter. Jack Torrance, a booze-fighting English teacher with a history of violence, is hired as caretaker and, hoping to finish a five-act tragedy he's writing, brings his wife Wendy and small son Danny to the howling loneliness of the half-alive and mad palazzo. The Overlook has a gruesome past, scenes from which start popping into the present in various suites and the ballroom. At first only Danny, gifted with second sight (he's a "shiner"), can see them; then the whole family is being zapped by satanic forces. The reader needs no supersight to glimpse where the story's going as King's formula builds to a hotel reeling with horrors during Poesque New Year's Eve revelry and confetti outta nowhere....
Back-prickling indeed despite the reader's unwillingness at being mercilessly manipulated.
Pub Date: Jan. 28, 1976
ISBN: 0385121679
Page Count: 453
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: Jan. 1, 1976
PERSPECTIVES
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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