Taut and engrossing, with a tough humanity.
In this novel, a victim-support counselor in New Zealand finds that the case of a missing girl takes a bizarre turn when a self-proclaimed psychic gets involved.
Christine Emmett, who was once a psychiatrist until she “realized how futile the entire field was,” is close to burning out in her volunteer work as a victim-support counselor for the North Christchurch region working (uneasily) with police. She also runs a support group for mothers with sick, missing or dead children; her own young daughter died, though readers don’t learn exactly how until the end. She’s increasingly distant from her husband, Gary, who drinks heavily. Christine drags herself to her next patient, Rena Sutherland, who woke from a coma to find her young daughter missing. Amid the media glare, a woman, claiming to be a psychic, provides police with valuable information. Meanwhile, one support-group member is falling apart because her daughter’s killer has been released. Could he have taken Rena’s child? As old crimes and tragedies surface, Christine must confront her own past. In her debut novel, Hayton wisely stays away from exploiting her subject for shock value. Rather than describing the disgusting details of crimes against children, she focuses on her characters and how they cope. Her characters are well-drawn, with believable and often heartbreaking histories, warts and all. The portrayals are multilayered. Christine’s cynicism, for example, is clearly a thin mask for her depression, self-hatred and grief but is also bracingly unsentimental, with a side of gallows humor. Hayton draws subtle, interesting and fruitful parallels between the Christchurch earthquake of 2011 and emotional recovery as her broken characters work to navigate the twisted streets of their broken city. It’s a study in surviving disaster as much as it is a mystery novel. One episode perhaps parallels too closely a scene in Tom Perotta’s Little Children, but it’s a minor fault.
Taut and engrossing, with a tough humanity.Pub Date: July 2, 2014
ISBN: 978-0473279936
Page Count: 214
Publisher: CreateSpace
Review Posted Online: Oct. 30, 2014
Kirkus Reviews Issue: Jan. 1, 2015
Review Program: Kirkus Indie
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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