Sweeping in scope, with vividly drawn, rich characters, Keenum’s debut signals a writer to watch.
Sent home from Vassar in disgrace, Jeanette Palmer is a romantic—after all, she did help her friend elope—and a gifted painter. But how can she cultivate her talents in Circleville, Ohio?
Set in late-19th-century belle epoque, when the arts flourished and the horrors of World War I had not yet occurred, Keenum’s debut novel is based upon her own great-grandmother’s life. Appalled at her disgrace, Jeanette’s parents send meek Cousin Effie to fetch her home. As she nervously awaits her parents’ arrival, Jeanette endures Aunt Maude’s interrogation, which beautiful, stylish, married Cousin Adeline knows is just a front for gossiping. To calm her nerves, Jeanette sketches Effie’s face, which so delights Effie that she arranges for Jeanette to sketch Maude—an effort to demonstrate her real skill to her family. The ploy works, and soon Jeanette, chaperoned by Effie, finds herself en route to Paris to study art. Meanwhile, back in Cincinnati, pharmacist Edward Murer struggles with the twin demons of Civil War memories and a laudanum addiction. After years of barely engaging with the world, Edward begins slipping deeper into depression, to the alarm of his family. His brother Theodore lights on a scheme: send Edward to Europe as a chaperone for his son Carl’s grand tour. (Perhaps there, Carl will be supervising Edward’s return to life.) A dinner party brings Jeanette and Edward together, as Carl accidentally reveals Jeanette’s scandalous past. As the weeks pass, Jeanette delights in her studies, navigates the dangerous waters of licentious men and finds herself drawn to the wounded pharmacist. For his part, Edward’s demons have pursued him across the sea, yet each encounter with Jeanette shines a little more light into his soul.
Sweeping in scope, with vividly drawn, rich characters, Keenum’s debut signals a writer to watch.Pub Date: Feb. 5, 2013
ISBN: 978-0-425-25778-4
Page Count: 480
Publisher: Berkley
Review Posted Online: Dec. 16, 2012
Kirkus Reviews Issue: Jan. 1, 2013
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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