A sturdy effort from a small press focused on food literacy.
After planting a dozen free zucchini plants, Zora finds ways to share and trade her bumper crop with others in her community.
“That’s going to be a lot of zucchini,” her father opines as Zora digs, plants, and waters. “We’ll eat it!” she assures him—and as the harvest rolls in, they do. In bread and soup; for breakfast, lunch, and dinner. By August, even perpetually rosy Zora realizes that this is too much food for her family. She swaps zucchini for tomatoes with Mrs. Thompson next door, then loads up the basket of her bike, giving zucchini away to neighbors. Still—there’s more. Enlisting the help of her sister and brother, Zora arranges a Saturday Garden Swap. After a slow start, neighbors come through, swapping everything from apricots to peppers. “Zora traded and traded until all her zucchini was gone.” While adult readers might scoff at the notion that Zora would be the only gardener in the neighborhood growing rampant zucchini plants, kids should warm to Zora’s predicament and resourceful problem-solving. Raff’s digitally colored watercolors have a cartoonlike, naïve quality. Hands have four fingers, and facial features are depicted as curved lines and dots. The spreads provide plenty of detail for children to notice—such as a cat’s displeasure at getting splashed by the watering can.
A sturdy effort from a small press focused on food literacy. (ideas for dealing with extra garden produce) (Picture book. 4-8)Pub Date: Sept. 17, 2015
ISBN: 978-0-9836615-7-3
Page Count: 32
Publisher: Readers to Eaters
Review Posted Online: June 28, 2015
Kirkus Reviews Issue: July 15, 2015
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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