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PRISM OF THE NIGHT

A BIOGRAPHY OF ANNE RICE

Exciting life of bestselling gothicist Anne Rice, by psychologist/philosopher Ramsland (Philosophy/Rutgers). Benefiting from Rice's input, this will have to be thought of as an ``authorized'' biography, although Ramsland is her own writer—and at times a heavy-going writer, bearing what might be called the Curse of the Jungians, an overdense working out of Rice's sea-changes and gender shiftings. Born in New Orleans and named Howard Allen, Rice has always been an outsider with strong male traits and since childhood has refused to accept victimization by dress and gender codes. Like Orson Welles, she and her three sisters were raised from infancy to be geniuses, allowed to stay up late, dabble at will and read what they wished, and skip school, all with the doting permission of their alcoholic mother, Katherine, and highly moral Catholic father, Howard. Katherine's death at 48 was the deepest blow Rice had ever experienced (alcoholism claimed many family members at that very age and might have claimed Rice as well had she and her brilliant poet-husband Stan Rice not agreed in 1979 to total abstinence)—and was followed by her daughter Michele's death from leukemia at age five. These events fed in a disguised fashion into her first successful novel, Interview with the Vampire, and into her following vampire novels, which, Ramsland shows, granted immortality to her dead mother and daughter—until Rice killed them off and arose psychically refreshed. Despite success, she writes as she wishes: Later novels were audience-losers, as were pseudonymous porno novels, until she returned to her vampire chronicles. Ramsland's study climaxes in the middle—with the deeply moving death of Michele as recaptured by Stan's electric elegy—and her later knifework on the Rice psyche and its fictions gets tiresome. Still, the book is mostly quite gripping, and deserves to hit big and probably will. (Sixteen pages of b&w photograph—not seen.)

Pub Date: Nov. 15, 1991

ISBN: 0-525-93370-0

Page Count: 400

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1991

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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