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DREAMING IN HINDI

COMING AWAKE IN ANOTHER LANGUAGE

An unsatisfying memoir but a provocative account of second-language acquisition.

An adventurous writer travels to India to learn Hindi and absorb the culture through language.

The challenge in learning a second language as an adult is part of the impetus for this memoir of one woman’s journey of self-discovery. In fact, the linguistic investigation emerges as the central focus of her adventure and the most interesting aspect of the narrative. Journalist Rich (The Red Devil: To Hell with Cancer—and Back, 2002) clearly articulates linguistic concepts, philosophies regarding language and the neurological and cognitive phenomena associated with learning a new language. These sections are far superior to the author’s descriptions of the people, places and events she encountered while on her language-immersion program in Udaipur. Most of the characters enter the narrative in an amorphous, ephemeral fashion, and the dialogue and personal events are often melodramatic and tedious. Although Rich tries to imbue these day-to-day relationships with a sense of immediacy—including scenes or histories involving the threat of terrorism and violence from increasing Muslim/Hindu tensions—the autobiographical aspects of the book seem like filler. Rich ably investigates controversial topics like Noam Chomsky’s nativist theories and the more recent—though equally contentious—interest in the Whorf Hypothesis, and her conversations with linguists and neuroscientists are always engaging. The details of Hindi—from odd idiomatic expressions to the way in which it seems inextricably connected to the Hindu religion and its strict social mores and taboos—are the book’s strongpoint. Rich’s involvement with a school for deaf boys in the region also produces some interesting anecdotes and fascinating explorations of sign language and gesture, but readers may desire more specific detail and aspects of real-world usage.

An unsatisfying memoir but a provocative account of second-language acquisition.

Pub Date: July 7, 2009

ISBN: 978-0-618-15545-3

Page Count: 304

Publisher: Houghton Mifflin Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2009

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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