A slightly uneven but often sweet coming-of-age tale.
A woman babysits her niece and learns some important lessons in Tirado-Ryen’s novel.
It’s 2005 in Little Rock, Arkansas, and 26-year-old Kim Kincaid has been tasked with babysitting her 6-year-old niece, Summer, while Kim’s older sister, Dena Nordstrom, is on vacation with her husband at a ski resort for two weeks. Kim is ill-equipped to take care of a child—pretty much the only sustenance in her house at the moment is leftover Chinese takeout and vodka—but she resents the fact that her sister thinks she’d be bad at it. The novel jumps around a bit, presenting flashbacks of Kim’s relationships with her family members, but most of the story follows Kim as she adjusts to taking care of a young child. She struggles at first, but she and Summer do eventually bond, and Kim learns that she can be a responsible adult when she tries. Readers also meet her best friend, Jillian Martin, who has a big personality; she’s having an affair with her married boss. Kim’s also starting to have doubts about Jared McKenzie, her boyfriend of two years, who comes off as a jerk; he’s so awful, in fact, that readers may find it hard to muster much sympathy as Kim decides whether to break up with him. This is a layered story, with complicated relationships between Kim and her late mother, between Kim and Dena, and between Kim and her friends and boyfriend; the siblings’ parents consider Dena to be the family’s golden child, and Kim struggles to get out of her shadow, which increases her insecurity in other areas of her life. Some flashbacks feel a bit unnecessary, revealing little that readers can’t gather from the main storyline; for example, in 2005, Kim has an encounter with a woman who bullied her in high school, and readers can easily infer how mean that woman is, but the author includes a flashback of her bullying Kim in the past, anyway. Overall, though, this is a pleasing story of a young woman deciding what she wants.
A slightly uneven but often sweet coming-of-age tale.Pub Date: July 10, 2023
ISBN: 9798218334741
Page Count: 224
Publisher: Self
Review Posted Online: Nov. 8, 2023
Kirkus Reviews Issue: Jan. 1, 2024
Review Program: Kirkus Indie
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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