A Texas bayou holds memories and secrets, weaving together people and animals through connected histories.
Buffalo Bayou takes her place as part of an ensemble cast that spans nearly two centuries. Sixteen-year-old Cade Curtis is a white boy who works alongside his father stealing angel statues from cemeteries for an antiques dealer, and Soleil Broussard is a 16-year-old Creole Christian with a tiny honey bear jar tattooed on her wrist. The two attend school together in present-day Houston, Texas, but the story intertwines their connection with stories of slaves and an ocelot in a narrative that runs away like the rushing of a river. Texas is a gorgeous backdrop for the story, eliciting haunting imagery that spotlights the natural beauty of the state. Each character helps piece together a quilt of experiences that stream from the omnipresent bayou who sees, hears, and protects, and the revelations of their overlapping connections are well-paced throughout. The novel is less successful, however, at underscoring why there are so many voices battling for space in the text. Too-short vignettes that are rather haphazardly forced together provide glimpses into the lives of the characters but make it difficult to follow all of the threads. While an author’s note offers historical background explaining the inspiration for the characters, it does not provide sufficient cohesion.
Moving imagery is muddied by disjointed character representation in a novel that feels overcrowded. (author’s note) (Fiction. 13-15)