A late coming-of-age story with a far-fetched plot.
A bookish young woman must make decisions about her future in this novel set in Ireland.
Kenney’s debut begins with a prologue. We see the series of tragedies that has left a 2-year-old and her uncle alone at the Leeside Pub. By Chapter 1, Siobhan is in her late 20s, still living with her Uncle Kee, and now working at the Leeside. Siobhan and her uncle have a close relationship and share a passion for Irish folklore and poetry, but Siobhan is otherwise withdrawn. She serves meat pies and drinks to the regulars and spends her free time writing poems that she does not share with anyone. It quickly becomes clear that literature is nearly all she has known of life. When Tim Ferris, an American professor of Irish studies, arrives at the pub, he ushers in a wave of brand-new experiences. Siobhan’s extreme naiveté makes her a mystery even to herself. Through the course of the novel, she feels emotions like excitement and grief as if for the first time. Her small stature is frequently emphasized, and her one close friend wonders aloud if she may be a fairy from the myths she loves so much. But, despite the improbable confluence of circumstances, the novel stays grounded in reality. Siobhan learns the truth of the past her uncle has kept from her and experiences the pain of love and loss. She seems at least somewhat aware of her odd trajectory into adulthood, writing at one point, “I’m not sure if growing up all at once at 27 is easier or harder than doing it bit by bit.” The other characters in Siobhan’s life are rendered with a similar flatness that makes them identifiable and, at times, charming but still unrealistic.
A late coming-of-age story with a far-fetched plot.Pub Date: June 20, 2017
ISBN: 978-0-385-54239-5
Page Count: 304
Publisher: Doubleday
Review Posted Online: April 3, 2017
Kirkus Reviews Issue: April 15, 2017
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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