George’s Pittsburgh cops (Hideout, 2011, etc.) investigate a robbery-murder that’s a lot less routine and more sordid than it looks.
Gubernatorial hopeful Michael Connolly can’t keep his hands off Cassie Price, a new paralegal in his father’s law firm. But as he tells Todd Simon, his campaign manager, his need to maintain a squeaky-clean family image means that he can’t acknowledge her either. So Simon takes Cassie out for a margarita to find out how dangerous she is. By next morning, she’s no danger at all, because she’s been killed in the house she’s been fixing up in the low-income neighborhood of Oakland. Witness accounts and other evidence send Detectives Coleson and McGranahan to Cal Hathaway, the son of the Connolly housekeeper. Damaged as a child by a concussion and subject to blackouts, Cal seems tailor-made for the role of Cassie’s killer, and after hours of interrogation, he says he did it, or he didn’t, or he can’t remember. That’s good enough for the cops, who lock him up and get ready to move on. But Cmdr. Richard Christie, dissatisfied with the case against Cal, keeps playing devil’s advocate, urging that Detectives John Potocki and Colleen Greer look at other scenarios and other suspects. As they painstakingly build a second case against an unsurprising suspect, Cal makes friends and enemies in jail, raising the distinct possibility that even if the police arrest someone else, his vindication will be posthumous.
George’s all-too-familiar story is so richly observed, subtly characterized, precisely written—her syncopated paragraphs are a special delight—and successful in its avoidance of genre clichés that you’d swear you were reading the first police procedural ever written.