by Kathleen Hirsch ‧ RELEASE DATE: April 18, 2001
A humorless journey of self-discovery marked by annoying pretensions and an of superiority.
A middle-aged yuppie’s overwritten account of her discovery that there’s more to life than a prestigious job.
As Hirsch (A Home in the Heart of the City, 1998) approached her 40s, she began to feel dissatisfied with her achievement-driven lifestyle. The sudden death of her younger brother sharpened her desire for a change, and her experience of pregnancy and the birth of her first child provided further impetus. Her search for a “Sabbath life” (meaning one that is “varied, fruitful, and, at day’s end rich in wisdom and peace”) led her to the library, to nature and gardening, to making good soup, trying various handicrafts, exploring her community, and connecting with other women. An admirer of Virginia Woolf, she set out to create a room of her own, but she realized that there was something stagy about her vision of it as a home to seedpods, birds’ nests, paintbrushes and good, thick paper, a basket for yarns, and a space on the floor for the baby to sit and play in the sunlight. She found analogies with life in the seasons of her backyard garden, in the structure of an apple she was slicing, and in a fruit compote she was aging and blending. There’s a good deal of high-flown rhetoric here—about finding one’s “self,” about harmony, spiritual growth, balance, wholeness, and the wisdom of the body—as she imagines herself and other (usually quite politically correct and aesthetically aware) women creating a “new reality.”
A humorless journey of self-discovery marked by annoying pretensions and an of superiority.Pub Date: April 18, 2001
ISBN: 0-86547-598-9
Page Count: 224
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2001
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edited by Katrina Kenison & Kathleen Hirsch
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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