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Dark Prince, Heed Thy Queen

IN THE REALM OF ROLES AND REVERSALS

Thin and unassuming, K.’s latest is a titillating and highly provocative tinderbox, conflating taboo themes of hierarchal...

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Prolific eroticist K. (Honey B., Sexual Consultant, 2014, etc.) conjures a fictionalized wet dream starring a hypersexualized woman and the domineering hoodlum who sexually enslaves her.

Though the mysterious, unnamed raconteur of this erotica describes herself as an ordinary woman, she’s really an experienced physician who exudes “a sensation of calm, a sense of security.” She’s swept away by a cocksure, bearded, “dense and dreamy” stranger named Nathan, whose livelihood includes larceny and money counterfeiting. K.’s novella, easily read in one heated sitting, glosses over plot in favor of the sexual exploits between the narrator and Nathan as their relationship intensifies to incorporate kink and sadomasochism. Nathan is slowly revealed to be a crestfallen attorney and military serviceman–turned-criminal, but that hardly deters the narrator from pursuing him. Their respective appetites for carnal satisfaction seem infinite; any opportunity for role-playing and sexual adventure is met with agreement, including the addition of Jo, Nathan’s sexy “surrogate,” to their lovemaking. The book consists of short vignettes that ultimately blur into a carnal cacophony of three-ways, safe words, penis rings, and jail bailouts, as the narrator who “wanted a bad boy and got one” swiftly becomes rapt and ultimately enamored by Nathan’s sexual bravado. Readers of graphic erotic fiction will appreciate K.’s smooth delivery of unbridled passion coupled with introspective ponderings in which the veil lifts to reveal her protagonist’s true nature. This aspect elevates the narrative from one-note fantasy to an explicitly personal chronicle complete with a surprise ending. Although the ever reliable narrator spends most of her time being bossed around and used like a Fifty Shades sex toy, the story is very much owned and operated by her. “I didn’t want somebody to love,” she unapologetically confesses. “It was more selfish than that, I wanted somebody to enjoy my body with me.”

Thin and unassuming, K.’s latest is a titillating and highly provocative tinderbox, conflating taboo themes of hierarchal subservience, gender domination, and eroticized objectification.

Pub Date: Oct. 6, 2014

ISBN: 978-1-5002-6171-9

Page Count: 132

Publisher: CreateSpace

Review Posted Online: May 19, 2015

Kirkus Reviews Issue: July 15, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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