LILLIAN BOXFISH TAKES A WALK

Name: LILLIAN BOXFISH TAKES A WALK
Author: Kathleen Rooney
ISBN: 978-1-250-11332-0

by Kathleen Rooney ‧ RELEASE DATE: Jan. 17, 2017

There is plenty of charm and occasional poignance here even if the novel makes you long for a proper biography of the real...

bookshelf

A poet and writer of clever, innovative ad copy, Margaret Fishback was admired in her time—the pre–Mad Men era—but is mostly forgotten now. Rooney (O, Democracy!, 2014, etc.) has written a lively, fictionalized version of Fishback’s story, drawing on real milestones but imagining her subject’s inner life.

Rooney’s Lillian Boxfish comes to Manhattan in 1926 to make her mark. A smart, stylish, independent young woman, she lands a job at R.H. Macy’s, where she turns out witty rhymes that promote the department store; on her own, she writes light verse, eventually published in several volumes. Though a self-styled “scoffer at love,” Lillian falls hard for Max Caputo, the head rug buyer at Macy’s. They marry, but when she becomes pregnant with their son, Johnny, she's forced to quit her job—maternity leave being a thing of the future. The marriage eventually fractures, and Lillian suffers a mental breakdown. Intercut with this narrative is the more fanciful story of Lillian’s adventures on New Year’s Eve 1984. An old woman now, she roams the streets of Manhattan alone, passing landmarks public as well as private and befriending several New York characters (all too benevolent to be believed) along the way. The city is in decline—the Subway Vigilante is on the loose—which Lillian seems to equate with her own fall from grace. But the chance encounters lift her spirits, helping her come to terms with her past. While the book effectively underscores the fierce struggles of career women like Lillian in a pre-feminist time, it can also feel schematic. And Lillian’s dialogue is sometimes too arch, too written, to be credible.

There is plenty of charm and occasional poignance here even if the novel makes you long for a proper biography of the real woman who inspired it.

Pub Date: Jan. 17, 2017

ISBN: 978-1-250-11332-0

Page Count: 304

Publisher: St. Martin's

Review Posted Online: Oct. 4, 2016

Kirkus Reviews Issue: Oct. 15, 2016

Categories:

LITERARY FICTION

bookshelf

THINGS FALL APART

by Chinua Achebe ‧ RELEASE DATE: Jan. 23, 1958

This book sings with the terrible silence of dead civilizations in which once there was valor.

bookshelf

Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.

Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.

This book sings with the terrible silence of dead civilizations in which once there was valor.

Pub Date: Jan. 23, 1958

ISBN: 0385474547

Page Count: 207

Publisher: McDowell, Obolensky

Review Posted Online: April 23, 2013

Kirkus Reviews Issue: Jan. 1, 1958

Categories:

LITERARY FICTION

- BOOK REVIEW
THERE WAS A COUNTRY
by Chinua Achebe

- BOOK REVIEW
THE EDUCATION OF A BRITISH-PROTECTED CHILD
by Chinua Achebe

- BOOK REVIEW
HOME AND EXILE
by Chinua Achebe

bookshelf

THE SECRET HISTORY

by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992

bookshelf

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.