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JOAN OF ARC

A LIFE TRANSFIGURED

Harrison joins the psychobiography school of life writing, doing so with memorable writing and an energetic approach.

The versatile Harrison (Enchantments, 2012, etc.)—novelist, biographer, memoirist and true-crime writer—becomes the most recent in a long list of authors to tell the story of the unusual warrior.

Born in 1412 and executed just 19 years later, French peasant Joan of Arc began listening to the voices of angels at age 14 (“hers alone, a rapturous secret”). She did not suspect at first, nor did anybody else, that those angels wanted her to undertake a seemingly impossible task: to lead an army of Frenchmen into battle against the mighty enemy forces from across the channel in England. The tale of Joan of Arc has been told countless times, so why revisit it, especially when hard evidence is lacking? For starters, Harrison's editor suggested the topic. At that point, the author decided 21st century readers required a new narrative of a life so improbable and heroic. Harrison knew, of course, about the daunting list of previous interpreters, including William Shakespeare, George Bernard Shaw, Bertolt Brecht and Mark Twain. She wisely examines some of those previous interpretations, finding some of the speculation and historicism plausible but some of it wanting. Harrison examines Joan as a sexual being as well as a warrior and perhaps a schizophrenic. The sexuality angle becomes especially provocative when Harrison discusses how God may have favored Joan due to the virginity she advertised so boldly. The author recounts the battle scenes in sometimes-excruciating detail and gives plenty of space to her arrest, trial and execution. She also provides a chronology. The vivid stories of Joan’s remarkable life never died completely, leading to her canonization as a saint in 1920.

Harrison joins the psychobiography school of life writing, doing so with memorable writing and an energetic approach.

Pub Date: Oct. 28, 2014

ISBN: 978-0-385-53120-7

Page Count: 400

Publisher: Doubleday

Review Posted Online: July 15, 2014

Kirkus Reviews Issue: Aug. 1, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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