Like good mysteries, this one blossoms petal by petal, while delivering a demur love story in the midst of sinister...
A well-told, well-paced thriller of treachery and remembrance harking back to the grim final years of World War II Germany.
The year is 1980 and Margaret Richardson is an archivist living in the United States. Lately her dreams have been shattering not only her sleep, but her composure. Who is this nightmare hag, with her hateful, spit-flecked bile? Why is her blood-soaked body slumped in death? In this dream world, why is Margaret speaking, with eerie fluency, a language she doesn't know? With unhurried, if not unruffled, dignity, Margaret sets forth to uncover her past, including her mother's unsavory, though not wholly unloving, behavior–is that not her standing shoulder to shoulder with der Fuhrer, in a picture Margaret discovers in her father's desk? The journey introduces a handful of sympathetic characters and reveals a still-dangerous few who wish Margaret no good. These pages contain much old-fashioned rectitude, decency and fitting reserve; the evolution of Margaret and Pieter's affection–Pieter a military man who meets on a flight to Europe and takes a shine to her–has the slow resolve of a golden summer's day. Their passage through the European countryside, with Margaret pursuing both legal and illegal avenues into her family history, has the feel of real experience–"The city was clean, pristine… filled with little gardens interspersed at odd junctures, and abundant with clusters of trees." The reader reaches an accommodation with Margaret's father's reticence about speaking of her birth and finds a sweet pleasure in the way his stiff nature gradually bends. Significant segments of the story shift to the motivations of Margaret's mother and to her father's wartime exploits, but the tale circles back to Margaret and Pieter’s quest and the consequence of actions that may lay heads on the chopping block both in the present and the past.
Like good mysteries, this one blossoms petal by petal, while delivering a demur love story in the midst of sinister circumstances.Pub Date: Nov. 16, 2009
ISBN: 978-1-4392-5706-7
Page Count: -
Publisher: N/A
Review Posted Online: Dec. 25, 2010
Review Program: Kirkus Indie
Though his scenarios aren’t always plausible in strictest terms, King’s imagination, as always, yields a most satisfying...
King (Under the Dome, 2009, etc.) adds counterfactual historian to his list of occupations.
Well, not exactly: The author is really turning in a sturdy, customarily massive exercise in time travel that just happens to involve the possibility of altering history. Didn’t Star Trek tell us not to do that? Yes, but no matter: Up in his beloved Maine, which he celebrates eloquently here (“For the first time since I’d topped that rise on Route 7 and saw Dery hulking on the west bank of the Kenduskeag, I was happy”), King follows his own rules. In this romp, Jake Epping, a high-school English teacher (vintage King, that detail), slowly comes to see the opportunity to alter the fate of a friend who, in one reality, is hale and hearty but in another dying of cancer, no thanks to a lifetime of puffing unfiltered cigarettes. Epping discovers a time portal tucked away in a storeroom—don’t ask why there—and zips back to 1958, where not just his friend but practically everyone including the family pets smokes: “I unrolled my window to get away from the cigarette smog a little and watched a different world roll by.” A different world indeed: In this one, Jake, a sort of sad sack back in Reality 1, finds love and a new identity in Reality 2. Not just that, but he now sees an opportunity to unmake the past by inserting himself into some ugly business involving Lee Harvey Oswald, Jack Ruby, various representatives of the military-industrial-intelligence complex and JFK in Dallas in the fall of 1963. It would be spoiling things to reveal how things turn out; suffice it to say that any change in Reality 2 will produce a change in Reality 1, not to mention that Oswald may have been a patsy, just as he claimed—or maybe not. King’s vision of one outcome of the Kennedy assassination plot reminds us of what might have been—that is, almost certainly a better present than the one in which we’re all actually living. “If you want to know what political extremism can lead to,” warns King in an afterword, “look at the Zapruder film.”
Though his scenarios aren’t always plausible in strictest terms, King’s imagination, as always, yields a most satisfying yarn.Pub Date: Nov. 1, 2011
ISBN: 978-1-4516-2728-2
Page Count: 864
Publisher: Scribner
Review Posted Online: Sept. 27, 2011
Kirkus Reviews Issue: Oct. 15, 2011
Too much drama at the end detracts from a finely wrought and subtle conundrum.
Ware (In A Dark, Dark Wood, 2015) offers up a classic “paranoid woman” story with a modern twist in this tense, claustrophobic mystery.
Days before departing on a luxury cruise for work, travel journalist Lo Blacklock is the victim of a break-in. Though unharmed, she ends up locked in her own room for several hours before escaping; as a result, she is unable to sleep. By the time she comes onboard the Aurora, Lo is suffering from severe sleep deprivation and possibly even PTSD, so when she hears a big splash from the cabin next door in the middle of the night, “the kind of splash made by a body hitting water,” she can’t prove to security that anything violent has actually occurred. To make matters stranger, there's no record of any passenger traveling in the cabin next to Lo’s, even though Lo herself saw a woman there and even borrowed makeup from her before the first night’s dinner party. Reeling from her own trauma, and faced with proof that she may have been hallucinating, Lo continues to investigate, aided by her ex-boyfriend Ben (who's also writing about the cruise), fighting desperately to find any shred of evidence that she may be right. The cast of characters, their conversations, and the luxurious but confining setting all echo classic Agatha Christie; in fact, the structure of the mystery itself is an old one: a woman insists murder has occurred, everyone else says she’s crazy. But Lo is no wallflower; she is a strong and determined modern heroine who refuses to doubt the evidence of her own instincts. Despite this successful formula, and a whole lot of slowly unraveling tension, the end is somehow unsatisfying. And the newspaper and social media inserts add little depth.
Too much drama at the end detracts from a finely wrought and subtle conundrum.Pub Date: July 19, 2016
ISBN: 978-1-5011-3293-3
Page Count: 352
Publisher: Scout Press/Simon & Schuster
Review Posted Online: May 2, 2016
Kirkus Reviews Issue: May 15, 2016
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