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MISS D AND ME

LIFE WITH THE INVINCIBLE BETTE DAVIS

Sermak writes of Davis’ tutelage, “she was training me for a world that was fading from view.” The author ably documents...

A chronicle of the last years of a cinema legend as told by her personal assistant.

Would anyone familiar with Bette Davis’ reputation as headstrong and independent be surprised to learn that she yanked out the bushes of a Long Island beachfront property she rented for a weekend because she didn’t like the way they looked? Sermak, co-executor of Davis’ estate, was a 22-year-old Southern California native in 1979 when she jettisoned a plan to pursue a career in clinical psychology and took a job as the 71-year-old actress's personal assistant. This book covers the years in which Sermak was Davis’ live-in assistant, accompanying her to film sets, cooking her meals, and staying by Davis’ side during and after the star’s 1983 mastectomy and stroke. (The author movingly renders these scenes.) Davis was as much a mentor to Sermak as an employer. She told her to change the spelling of her first name because “one of the big battles in life is to stand out from the crowd,” gave her lessons on posture, and even hired a butler to teach her the protocol for a formal dinner. One might have expected this book to be a hagiography, but, refreshingly, the author shows not only Davis’ kindness, but also her cruelty, as when she rudely declined a dinner invitation from Sermak’s mother. The author gets bogged down in extraneous detail, with rambling accounts of conversations and long descriptions of the meals she and Davis enjoyed. However, the book is a poignant portrait of an aging screen icon reduced to taking her medicine with swigs of Ensure Plus and struggling to live her life with the grandeur to which she had become accustomed.

Sermak writes of Davis’ tutelage, “she was training me for a world that was fading from view.” The author ably documents Davis’ growing realization that, long before her death in 1989, her time was already passing.

Pub Date: Sept. 12, 2017

ISBN: 978-0-316-50784-4

Page Count: 304

Publisher: Hachette

Review Posted Online: May 20, 2017

Kirkus Reviews Issue: June 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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