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by Kathryn Taylor ‧ RELEASE DATE: Nov. 6, 2018
Truthful, dignified, and pragmatic writing.
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A woman chronicles a painful divorce in this debut memoir.
Taylor remembers that she was driving on the interstate with her then-husband, Jim, when he suddenly announced, “I’m done with our marriage.” The couple had been facing tough challenges: Jim’s work had forced them to maintain a long-distance relationship for sustained periods, and his brother had been diagnosed with a terminal illness. However, there were no clear indications that Jim would request a divorce. Indeed, the shock was so great that the author says that she felt that “all the oxygen seemed to escape from the vehicle.” When they first got married, she remembers, they used to wake each morning with smiles on their faces; they’d both been divorced before, so they were committed to making their marriage work. After settling together in Summerville, South Carolina, a chain of events, including leaving her job as a teacher, led to Taylor’s feeling isolated. She writes that Jim told her that she sometimes said “hurtful” things, particularly after overindulging in wine, but she felt that her actions didn’t warrant his description of her as “selfish” and “mean.” This memoir confronts the painful, debilitating nature of divorce and offers guidance on how to survive “unexpectedly starting over” at 60. The act of putting her story on paper appears to have been a major source of catharsis for the author; she says that she’d always wanted to be a writer and that her grief helped her to complete this book. Her prose is elegantly descriptive and effortlessly precise throughout, and she speaks tenderly and directly to her readers: “You, too, have the ability to regain your confidence, abandon your hopelessness, and realize that you are not a woman to be tossed aside and forgotten.” Taylor carefully explores her own rebuilding process, including time that she spent in therapy and the crucial support that she received from her friends. Her book may act as a lifeline for other women going through similar experiences, as it offers hope for newfound happiness.
Truthful, dignified, and pragmatic writing.Pub Date: Nov. 6, 2018
ISBN: 978-1-63152-454-7
Page Count: 152
Publisher: She Writes Press
Review Posted Online: Sept. 11, 2018
Kirkus Reviews Issue: Nov. 1, 2018
Review Program: Kirkus Indie
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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