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JANE WELSH CARLYLE AND HER VICTORIAN WORLD

A STORY OF LOVE, WORK, MARRIAGE, AND FRIENDSHIP

A delightful book about the early stirrings of feminism in Victorian England and a celebration of the lost art of letter...

A biography of Jane Welsh Carlyle (1801-1866), the wife of essayist Thomas known for her “marvelous letters.”

A longtime professor at the City University of New York, Chamberlain has lectured and published numerous essays on Carlyle, widely regarded as one of England’s great masters of the epistolary, a literary form of writing as much confessional as novelistic. Her letters—and her strong instructions to correspondents—insist that one must relate not only events, but also their effects. She believed that good letter writing involved a “splash of the mind,” something like speaking. Encouraged by friends to pen a novel, she preferred her correspondence. Chamberlain traces her subject’s lifelong quest to make a mark beyond the wifely duties of a Victorian wife. She worked tirelessly, through her many acquaintances, to help find work for unemployed women, and her husband’s growing reputation as a writer brought all the brightest minds across their path: Dickens, Emerson, Thackeray, Margaret Fuller, Erasmus Darwin, and Giuseppe Mazzini, to name a few. One other acquaintance caused considerable trouble in their marriage: Lady Harriet Baring, with whom Thomas enjoyed a long, reportedly platonic relationship. Thomas, a patronizing, infantilizing husband, subjected Jane’s jealousy to what the author terms “gaslighting.” He was an influential Victorian literary figure but also a chauvinist who condemned abolitionists and derided blacks. Jane also found a place for German writer Amely Bölte as governess to a truly horrid child, whom the author points out would become a “three volume novel of a little charge,” as well as the basis for Thackeray’s cynical character in Vanity Fair Becky Sharp. Chamberlain’s literary skills serve to showcase her expertise on a woman whom history has undeservedly ignored.

A delightful book about the early stirrings of feminism in Victorian England and a celebration of the lost art of letter writing.

Pub Date: April 4, 2017

ISBN: 978-1-4683-1420-5

Page Count: 400

Publisher: Overlook

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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