A dynamically curated exploration of the space between “what was” and “what is.”
Diverse contributors explore the “murky business” of life’s pauses in an anthology that finds profound movement within the stillness of waiting.
In her opening letter to readers, editor Curto grounds this expansive collection in personal loss, recounting 10 minutes spent “wiping, wailing and looking up at the front door” for a mother who would never return. This scene sets a contemplative tone for the collection’s 29 writers and artists, who examine waiting not as a void, but as an active, “excruciating” state of being. Christopher L. Vaughan offers a masterfully rendered account of navigating cerebral palsy, where the act of waiting for his “fingers to relax” became a daily battle for control. Cooper Lee Bombardier provides a similarly grounded reflection on his “fallow year,” an agricultural metaphor for the profound inertia he felt after walking his mother “across the threshold out of this life,” only to have his wife leave six months later. Mariela Flores further anchors the book with a sharp critique of the guilt that first-generation immigrants feel when choosing personal goals over their families as she awaits the start of an MFA program over 1,000 miles away from her home. The collection’s structure occasionally suffers from a lack of cohesive identity. This variety of forms, spanning essays, poems, short stories, illustrations, and even a curated playlist, ensures a broad range of voices, but it also means the momentum frequently dips when the prose shifts from raw, lived experience into more detached, abstract territory. Without a stronger, more singular editorial hand to bridge the gap between the standout pieces and the lighter entries, the work lacks the narrative weight of a unified project. Despite these variations in intensity, the prose remains largely intimate, reframing passive delay as a courageous “battle with the man in the mirror.” Ultimately, Curto argues that waiting is not merely having “time without wanting it,” but rather the quiet space where a “new knowing” is born.
A dynamically curated exploration of the space between “what was” and “what is.”Pub Date: July 21, 2026
ISBN: 9798887840819
Page Count: 255
Publisher: Motina Books
Review Posted Online: May 6, 2026
Review Program: Kirkus Indie
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PROFILES
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
