by Kathy Peiss ‧ RELEASE DATE: Jan. 2, 2020
Unlikely to become another George Clooney vehicle.
George Clooney gave Robert M. Edsel and Bret Witter’s The Monuments Men (2009) the Hollywood treatment; will anyone do the same for this survey of librarians and scholars and their activities with print materials during World War II?
Unlike the Monuments Men, Peiss’ (American History/Univ. of Pennsylvania; Zoot Suit: The Enigmatic Career of an Extreme Style, 2011, etc.) subjects did not operate under the aegis of one organization or agency and had more diffuse charges, ranging from procuring books and periodicals from Europe for intelligence analysis during the war and later gathering enemy documents and books of all kinds as the Allies swept across Europe, to figuring out what to do with Nazi literature and caches of Jewish books both holy and secular after it. Perhaps as a result of this attempt to gather disparate figures and missions together under the rubric of “information hunters,” the author rarely goes deep, instead delivering a reasonably well-written but nevertheless unfocused account of wartime book-related activities. Some of the figures—most prominently the author’s uncle, Reuben Peiss, a librarian-turned-agent in Lisbon—recur, but far too many appear for a few pages and are never revisited. Though Peiss makes copious use of her subjects’ letters, few of them emerge as distinct enough characters to carry their parts of the narrative. The dizzying occurrence of initialisms—R&A, IDC, CIOS, SHAEF, MFAA, LCM, etc.—serves to further distance readers from the events described. Some individual portions are fascinating. The discussion of postwar censorship’s role in the denazification of Germany has (sadly unacknowledged) echoes in today’s conversations about literature and culture, and Peiss movingly explores the dilemma of how to make restitution to a nearly annihilated people. Overall, however, the author shows herself to be a diligent historian but a poor storyteller.
Unlikely to become another George Clooney vehicle.Pub Date: Jan. 2, 2020
ISBN: 978-0-19-094461-2
Page Count: 288
Publisher: Oxford Univ.
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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