Lief celebrates the power of female friendship, especially in middle age.
In this follow-up to Invisible Woman (2024), Lief explores the effects of family trauma on a trio of strong, flawed women.
Five years after she killed her husband, Joni Ackerman has found some modicum of peace: She’s running a successful production company with her daughter, Chris, and best friend, Val, and she spends most of her time in her airy Malibu house, only returning to New York for business every now and then. She’s not dating, or interested, but she’s cultivating herself as a strong, independent, single woman, knowing that she’ll never completely let go of either her guilt or fear of her own darkness. When her estranged brother, Marc, turns up on the doorstep looking for a place to crash, she’s hesitant at first, as their relationship, grounded in a traumatic childhood, has never been close. But soon he’s knitting with Chris and cooking gourmet meals. When Joni has to head to New York for a week, she feels okay asking Marc to stay in her house and dog-sit for her beloved goldendoodle, Stella. But then Val discovers what Marc is running from. For the rest of the novel, Joni’s private detective pursues Marc, who seems to have a source keeping him one step ahead of the chase. Despite this drama, the novel, like its predecessor, is really about navigating the world as a woman of a certain age, now in a seemingly post #MeToo world: the challenges, the choices, and the freedoms. It’s more noticeable in this novel, though, that the path is more easily walked by women of a certain socioeconomic class; Joni and Val undoubtedly have problems, but they also have the money to mitigate them. Still, their complicated friendship, their ability to both love and hurt each other, testifies to the message at the heart of it all: sometimes, friends are true soul mates, capable of accepting even the darkest parts of each other.
Lief celebrates the power of female friendship, especially in middle age.Pub Date: June 3, 2025
ISBN: 9780802164926
Page Count: 272
Publisher: Atlantic Monthly
Review Posted Online: April 4, 2025
Kirkus Reviews Issue: May 1, 2025
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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