Absolutely a novel of its time—and a novel of women's stories across time.
When news of another Hollywood rape scandal breaks, Joni Ackerman—a former filmmaker now married to Paul Lovett, a powerful TV executive—reaches out to encourage an old friend to expose her truth.
Joni has known for decades that the accused CEO was a sexual predator because he assaulted her friend Val Graham at a party almost 30 years ago. Val, at the time an aspiring actress, didn’t report the rape and eventually left Hollywood. Joni has always kept silent to honor Val’s wishes, but also because “she didn’t want [Paul] to love her less, which he would have if she’d told another man’s secrets.” Now, having recently moved to New York for Paul’s job, Joni is at loose ends: in her marriage, in her career, and, now that her younger daughter is at college, as a parent. And so she contacts Val—for solace, for solidarity, and perhaps to finally uncover another secret: the identity of the second man who was present when Val was assaulted, someone never identified. Part domestic thriller, part psychological mystery, this is a tight, well-paced novel, and it hangs on the complex and flawed character of Joni herself. Rediscovering Patricia Highsmith’s novels, Joni begins to lean into the darkness of her own soul, which is perhaps not surprising given the experiences that have led her there: giving up her film career to play second-fiddle to a powerful husband; keeping the secrets of monstrous men; finding herself in a marriage where she’s expected to smile and serve as the perfect hostess at her husband’s star-studded parties but not be a star herself. Caught in the nefarious web of the patriarchy at every turn, she finds in Highsmith a way to fight back and reclaim some of her own agency. There’s an unexpected twist that flirts dangerously with the hysterical-female trope, but ultimately, this surprising piece of Joni’s story is just that: one more piece.
Absolutely a novel of its time—and a novel of women's stories across time.Pub Date: Jan. 9, 2024
ISBN: 9780802161406
Page Count: 272
Publisher: Atlantic Monthly
Review Posted Online: Oct. 7, 2023
Kirkus Reviews Issue: Nov. 1, 2023
BOOK REVIEW
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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