The tortured history of modern Germany is refracted in the story of a 19th-century villa and the lives of its diverse inhabitants. The literary device of the house as metaphor or microcosm has a long tradition, and Hafner (Cyberpunk, 1991) utilizes it to good effect. Through interviews, private memoirs, and public documents, she tells the story of the villa, situated at the foot of the famous Glienicke Bridge connecting Potsdam and Berlin. Built in 1845, it passed from the Prussian aristocracy to Hermann Wallich, son of a prosperous Jewish banking family. Wallich bequeathed the Italianate villa to his son Paul. A staunch assimilationist, Paul Wallich committed suicide ten days after the anti-Semitic violence of Kristallnacht in 1938. With the Nazis in power, the Wallich family was scattered to three continents. Oddly, the history of the house during the war is omitted. After the war, the GDR used the villa as a child-care facility for working parents. Karl Marx would have pointed out with satisfaction how the house passed from the aristocracy to the bourgeoisie to the children of the proletariat, symbolically confirming his theory of history. But after that theory suffered a blow with the fall of the Berlin Wall in November 1989 (on the anniversary of Kristallnacht), new problems generated by unification became apparent. Under a law that sought to return to their pre-1933 owners properties seized in the former GDR by the Nazis and later by the Communists, the Wallich family attempted to reclaim their villa. Hafner chronicles their effort—and the almost tragic plight of the children's home as it struggled to remain open. Hafner's structure—each chapter is devoted to a person or family whose life intersected the history of the villa—is a bit repetitive, but her central conceit remains powerful. As she observes: ``The Potsdam villa came to represent less a house in Germany than Germany itself.'' In probing the history and reconstruction of a house, Hafner sheds light on the complicated and delicate reconstruction of memory and history. (8 pages photos, not seen)
Pub Date: Feb. 1, 1995
ISBN: 0-684-19400-7
Page Count: 288
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1994
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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