An appealing, celebratory offering with an urgent message.
An homage to trees in poetry, prose, and art.
Artist and activist Holten has gathered more than 50 contributions from writers, artists, philosophers, scientists, and others, all sharing thoughts about our indelible connection to trees. Some entries are as brief as a sentence or two: “I am the seed of the free. I intend to bear great fruit,” Sojourner Truth writes. There’s a recipe for making oak gall ink, which can be used for writing (as it was for the Declaration of Independence and the Constitution) or staining a piece of furniture. Holten includes the lyrics to Radiohead’s “Fake Plastic Trees” as well as a song from singer/songwriter Susan McKeown. Some entries refer to particular species: an ancient elm cut down by the British during the Revolutionary War; evergreens, whose tips can be used for sun tea or salt; junipers, apricots, maples, and a baobab, among many others. When artist Maya Lin took on the project of creating a sculptural installation at Madison Square Park, she chose to transport Atlantic white cedars from the Pine Barrens of New Jersey, trees that had died due to extreme weather events related to climate change, to create a ghost forest—temporal, transient, and a stark warning about the perils of climate change, an issue that concerns many writers. Mary Reynolds writes about the creation of the rewilding project We Are The ARK, while Indigenous leader Nemo Andy Guiquita reports on threats to the Amazonian rainforest. William Corwin and Colin Renfrew, thinking about the origins of human creativity, speculate about why Paleolithic humans did not depict trees in their cave drawings. The book is graced throughout with Holten’s delicate artwork: dense threadlike forests; drawings of seeds, leaves, and roots; and her inventive Tree Alphabet. Other contributors include Zadie Smith, Amitav Ghosh, Richard Powers, Ada Lovelace, and Robin Wall Kimmerer. Even Plato makes an appearance. Ross Gay provides the introduction.
An appealing, celebratory offering with an urgent message.Pub Date: April 4, 2023
ISBN: 9781953534682
Page Count: 320
Publisher: Tin House
Review Posted Online: Jan. 20, 2023
Kirkus Reviews Issue: Feb. 15, 2023
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
The book is not entirely negative; final chapters indicate roads of reversal, before it is too late!
It should come as no surprise that the gifted author of The Sea Around Usand its successors can take another branch of science—that phase of biology indicated by the term ecology—and bring it so sharply into focus that any intelligent layman can understand what she is talking about.
Understand, yes, and shudder, for she has drawn a living portrait of what is happening to this balance nature has decreed in the science of life—and what man is doing (and has done) to destroy it and create a science of death. Death to our birds, to fish, to wild creatures of the woods—and, to a degree as yet undetermined, to man himself. World War II hastened the program by releasing lethal chemicals for destruction of insects that threatened man’s health and comfort, vegetation that needed quick disposal. The war against insects had been under way before, but the methods were relatively harmless to other than the insects under attack; the products non-chemical, sometimes even introduction of other insects, enemies of the ones under attack. But with chemicals—increasingly stronger, more potent, more varied, more dangerous—new chain reactions have set in. And ironically, the insects are winning the war, setting up immunities, and re-emerging, their natural enemies destroyed. The peril does not stop here. Waters, even to the underground water tables, are contaminated; soils are poisoned. The birds consume the poisons in their insect and earthworm diet; the cattle, in their fodder; the fish, in the waters and the food those waters provide. And humans? They drink the milk, eat the vegetables, the fish, the poultry. There is enough evidence to point to the far-reaching effects; but this is only the beginning,—in cancer, in liver disorders, in radiation perils…This is the horrifying story. It needed to be told—and by a scientist with a rare gift of communication and an overwhelming sense of responsibility. Already the articles taken from the book for publication in The New Yorkerare being widely discussed. Book-of-the-Month distribution in October will spread the message yet more widely.
The book is not entirely negative; final chapters indicate roads of reversal, before it is too late!Pub Date: Sept. 27, 1962
ISBN: 061825305X
Page Count: 378
Publisher: Houghton Mifflin
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: July 1, 1962
APPRECIATIONS
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