Fun—if overly familiar—vampire fiction made palatable by memorable characters.
In Wilson’s supernatural thriller, a young woman discovers she has a rare, supernatural gift after surviving a tragic accident.
All things considered, Sarah Woodward ought not to be alive. When the bus she was on swerved off the road and plunged into Elliott Bay, Sarah was the sole survivor among the 15 victims. Not only did she survive, she had the presence of mind and absence of injury to swim to shore, where she found herself physically (if not emotionally) unscathed. Soon after, though, strange things begin happening to Sarah; she feels, somehow, both alive and dead, as though trapped in a sort of purgatory. Small injuries to her skin heal almost instantaneously, and she keeps having the same dream of a mysterious cave that feels inherently familiar to her but that she cannot place in memory or the real world. While at an art gallery, seeking out some normalcy in the aftermath of these upheavals to her reality, she meets a young-looking man with a keen, almost stalker-like interest in her, and, despite her best instincts, she goes to a second location with him. She discovers, quickly, that this man, Alex Smith, is not young at all; in fact, he’s a vampire, and more than three centuries old. He has been looking for Sarah ever since the bus crash she survived—he witnessed the whole thing, his vampiric senses able to trace her far-off heartbeat as he heard all the others go silent. Around the time she meets Alex, Sarah is also questioned in the bookstore where she works by a mysterious stranger, Lucy Goodspeed, who claims to work for a shadowy organization known as the “Society of Keepers.” Before Sarah has a chance to talk with Lucy, she and Alex discover something troubling: Sarah’s blood has the capacity to make Alex “alive” again, at least somewhat—after tasting a mere dribble, he’s breathing again, temporarily, for the first time in centuries. When this experiment nearly kills him, Sarah decides it’s time to talk to the Society of Keepers, hoping to get some answers—but the mystery only deepens when, unprompted, Lucy shows Sarah a photograph of that very cave she’s been dreaming of for weeks…
In her first novel, Wilson has managed to find an interesting wrinkle in the classic vampire narrative in the character of Sarah, a sort of supernatural foil who is not the typical werewolf or vaguely Christian ideological crusader, which helps to make this vampire yarn feel at least a bit fresh. That being said, readers’ appetites for sentences like “I can’t tell her I’ve started falling insanely too fast for someone who happens to be a vampire” have been eroded by decades of teen-lit plumbing the exact same dynamics. The plotting sometimes feels too convenient—one wonders about that chance meeting at the art museum—but there is real pathos to Sarah’s character, who feels like a friend from college you’ve mostly forgotten about but who now finds herself in extraordinary circumstances. Fans of vampire fiction won’t find much new here, but those open to an undead thread running through an engaging narrator’s strange experience will enjoy the ride.
Fun—if overly familiar—vampire fiction made palatable by memorable characters.Pub Date: June 25, 2024
ISBN: 9798989867516
Page Count: 218
Publisher: Self
Review Posted Online: April 10, 2024
Kirkus Reviews Issue: June 15, 2024
Review Program: Kirkus Indie
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
A standout in the series.
The sixth adventure of Harvard symbology professor Robert Langdon explores the mysteries of human consciousness, the demonic projects of the CIA, and the city of Prague.
“Ladies and gentlemen...we are about to experience a sea change in our understanding of how the brain works, the nature of consciousness, and in fact…the very nature of reality itself.” But first—Langdon’s in love! Brown’s devoted readers first met brilliant noetic scientist Katherine Solomon in The Lost Symbol (2009); she’s back as a serious girlfriend, engaging the committed bachelor in a way not seen before. The book opens with the pair in a luxurious suite at the Four Seasons in Prague. It’s the night after Katherine has delivered the lecture quoted above, setting the theme for the novel, which features a plethora of real-life cases and anomalies that seem to support the notion that human consciousness is not localized inside the human skull. Brown’s talent for assembling research is also evident in this novel’s alter ego as a guidebook to Prague, whose history and attractions are described in great and glowing detail. Whether you appreciate or skim past the innumerable info dumps on these and other topics (Jewish folklore fans—the Golem is in the house!), it goes without saying that concision is not a goal in the Dan Brown editing process. Speaking of editing, the nearly 700-page book is dedicated to Brown’s editor, who seems to appear as a character—to put it in the italicized form used for Brownian insight, Jason Kaufman must be Jonas Faukman! A major subplot involves the theft of Katherine’s manuscript from the secure servers of Penguin Random House; the delightful Faukman continues to spout witty wisecracks even when blindfolded and hogtied. There’s no shortage of action, derring-do, explosions, high-tech torture machines, attempted and successful murders, and opportunities for split-second, last-minute escapes; good thing Langdon, this aging symbology wonk, never misses swimming his morning laps. Readers who are not already dyed-in-the-wool Langdonites may find themselves echoing the prof’s own conclusion regarding the credibility of all this paranormal hoo-ha: At some point, skepticism itself becomes irrational.
A standout in the series.Pub Date: Sept. 9, 2025
ISBN: 9780385546898
Page Count: 688
Publisher: Doubleday
Review Posted Online: Sept. 9, 2025
Kirkus Reviews Issue: Nov. 1, 2025
SEEN & HEARD
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
