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CHANG'E ON THE MOON

From the Everlasting Tales series

A lovely retelling.

Set long ago, “when the Earth was very young,” this story explains the origins of the Chinese moon goddess.

Chang’e is full of love. Her love is returned—by the trees, the animals, the wind, and, most of all, her husband, Hou-Yi. The pair travel together “to protect the people and create caring communities.” One day, 10 scorching suns appear in the sky. With life on Earth on the brink of destruction, Chang’e and Hou-Yi cannot stand by. A formidable archer, Hou-Yi pierces the suns with his arrows until only one remains. In thanks, the heavenly Jade Emperor and his goddess wife, Xiwangmu, give them an elixir that grants them immortality. But there’s only enough for one of them, so the lovers decide to live out the rest of their lives as humans—together. When Peng Meng, Hou Yi’s jealous apprentice, schemes to steal the elixir for himself, Chang’e sacrifices their mortal future together and drinks the elixir herself. As explained in the author’s note, the legend of Chang’e has many variations. Moore centers her retelling on the couple’s kindhearted qualities and their enduring love. As moon goddess, Chang’e watches over the Earth for all eternity. Hou-Yi spends the rest of his living days devoted to honoring Chang’e and their shared passion of community care, and the story of her sacrifice sparks a celebration in her honor: the Mid-Autumn Festival. Li’s painterly illustrations beautifully capture Moore’s text.

A lovely retelling. (Mandarin version of the tale) (Picture book. 4-8)

Pub Date: Sept. 3, 2024

ISBN: 9780063295803

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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