A dark, bewitching twist on a classic story.
After her mother dies, a young woman discovers that her stepfather has a secret agenda in the latest installment of Regnery’s (Catching Irish, 2018, etc.) Modern Fairytale series.
Ashley Ellis always had a complicated relationship with her mother, Tig, a supermodel whose career ended due to drug abuse. Through it all, Ashley received support from her godfather, Gus. Shortly after Ashley turns 18, tragedy strikes when Tig dies of a drug overdose. Ashley’s shock turns to fear when her stepfather, Mosier Raumann, the head of a violent crime family, tells her that he plans to marry her—after she graduates from high school. She turns to Gus and his partner, Jock, for help. They send her to Jock’s country house, where she meets their tenant, Julian Ducharmes, a former Secret Service agent who now works as a glassblower. Although he’s initially wary of Ashley, he’s unable to deny his attraction to her, and their cautious friendship soon turns into a passionate romance. While Ashley searches her mother’s diary for clues to her life and death, Gus, Jock, and Julian try to protect her from Mosier and his sons, Anders and Damon. Mosier, however, is determined to find Ashley and make her his wife, and he’ll stop at nothing to achieve his goal. Regnery’s latest series installment offers a contemporary twist on “Cinderella” with dynamic characters and a well-developed romance at its heart. The narrative is anchored by Ashley, who’s shown to be a gentle, devoutly religious young woman whose relationship with her mother was fraught with instability, and the author does a fine job outlining their complex history. Regnery also fully sketches out Julian as he struggles to deal with an error in judgment that ended his Secret Service career. Ashley’s romance with him develops slowly, bolstered by scenes that crackle with erotic tension. The fast-paced chapters alternate between Ashley’s and Julian’s first-person points of view and Tig’s journal entries, providing readers with insight into each character and their motivations.
A dark, bewitching twist on a classic story.Pub Date: Oct. 1, 2018
ISBN: 978-1-944810-37-5
Page Count: 358
Publisher: Time Tunnel Media
Review Posted Online: Nov. 19, 2018
Kirkus Reviews Issue: Jan. 15, 2019
Review Program: Kirkus Indie
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
