by Kayla Williams ‧ RELEASE DATE: Feb. 10, 2014
A brave book filled with gore and trauma—and superb storytelling. A perfect complement to David Finkel’s Thank You for Your...
An Iraq War veteran chronicles the emotionally raw, disarmingly candid saga of herself and her fellow veteran husband returning to civilian life psychologically and physically wounded.
Williams previously shared her brutal saga of being female in a combat zone (Love My Rifle More Than You, 2005), alluding to it occasionally in this follow-up memoir. While in combat, she briefly met and felt close to Brian McGough. But he moved to a new assignment, where he suffered a severe brain injury from an explosive device. Stationed back in the United States, Williams located McGough, and they began a romantic relationship marked by threatened and actual violence due to his post-traumatic stress disorder and her undiagnosed psychological disabilities. Their military commands and the Veterans Administration seemed ill-equipped to deal sensitively and competently with such disabilities. In excruciating detail, Williams shares scenes from a marriage almost certain to explode. Even when she was away from her husband, Williams struggled with certain aspects of everyday life. Shopping alone in a gigantic Wal-Mart, she was overwhelmed by the variety of products, resentful that the civilian population was so spoiled, and anxiety-ridden that she could not view any store exits from the endless aisles of merchandise. Though counseling by civilians and military personnel occasionally helped both the author and her husband, progress toward a normal life seemed illusory—at best, one step forward and two steps back. How Williams and McGough partially conquered the demons, saved their marriage, began to rear children and helped countless other damaged veterans makes for an inspiring but never maudlin narrative. The memoir is certainly not a feminist tract, but Williams does examine the special adjustment problems of female combat veterans.
A brave book filled with gore and trauma—and superb storytelling. A perfect complement to David Finkel’s Thank You for Your Service (2013).Pub Date: Feb. 10, 2014
ISBN: 978-0-393-23936-2
Page Count: 288
Publisher: Norton
Review Posted Online: Nov. 25, 2013
Kirkus Reviews Issue: Dec. 15, 2013
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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