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LIES MY MOTHER NEVER TOLD ME

A MEMOIR

There are a few intriguing tidbits about her father’s social and professional circle—which included Norman Mailer, Irwin...

The daughter of celebrated novelist James Jones weighs in with a loving portrait of her father—and a savage one of her alcoholic, caustic mother.

Jones, herself a novelist (Celeste Ascending, 2000, etc.), adopts a fairly routine chronology, beginning with her birth in 1960 and ending more or less in the present. Between chapters she places stories told by her mother—or about her—which reveal her as frank, eccentric, wacky, dyspeptic, unpredictable and cruel. As the memoir advances, so too do her mother’s failures and cruelties. She forgot to pick up her daughter after school, she said hurtful things (“You’re a whore, you know that?”), drank too much, lied, wasted money and acted outrageously toward all sorts of people, from literary celebrities to her own little granddaughter. Meanwhile, the author began to spiral downward, drinking heavily, sleeping with the wrong people, feeling insignificant and insecure and seeking psychological counsel. Perhaps in compensation, she continually quotes other people who told her that she’s beautiful, talented and intelligent. Jones eventually married good guy Kevin and had a lovely daughter, Eyrna, whose verbal ability, we learn, is “literally off the chart for her age.” In prose lathered with cliché and peppered liberally with evanescent epiphanies, the author seems to see God at one point, then takes up tae kwan do, progresses toward her black belt and becomes so proficient that even some rowdy teens on a Manhattan sidewalk step aside to let her pass. Jones denies the charge that she has enjoyed privileges because of her father, but the facts rendered here indicate that she has received substantial financial and professional advantages.

There are a few intriguing tidbits about her father’s social and professional circle—which included Norman Mailer, Irwin Shaw and Kurt Vonnegut—but most of the narrative is remarkable only for its rancor.

Pub Date: Sept. 1, 2009

ISBN: 978-0-06-177870-4

Page Count: 384

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2009

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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