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THE MIDNIGHT LIBRARY

Original, imaginative and perfect for naptime or bedtime.

A celebration of the expanded roles of libraries in the 21st century takes its visual cue from the best mid-20th-century picture books.

“Once there was a library that opened only at night. A little librarian worked there with her three assistant owls.” These sentences appear on opposite sides of the gutter of a double-page spread that shows a simply depicted girl in a dress, with hair in sticking-out braids and arms full of books, moving briskly across the library. Bold black outlines the little librarian and her avian assistants, all of whom are the same goldenrod color as the library walls and the outside-of-the-windows stars. The third color in the tricolor prints is a deep blue, consistently coloring the many books shelved throughout the pages. The little librarian and her assistants cheerfully accommodate musical squirrels who disrupt silent readers, a wolf who weeps over a sad part in a book (“she was crying so much her tears fell like rain”) and a tortoise whose slow reading threatens to keep the library open past its dawn closing hour. The text and artwork do not miss a beat as the closing spread shows the little librarian and her assistants reading a bedtime story. The book-and-star-themed endpapers add to the charm.

Original, imaginative and perfect for naptime or bedtime. (Picture book. 2-6)

Pub Date: June 17, 2014

ISBN: 978-1-59643-985-6

Page Count: 32

Publisher: Roaring Brook Press

Review Posted Online: March 16, 2014

Kirkus Reviews Issue: April 1, 2014

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THE LION & THE MOUSE

Unimpeachable.

A nearly wordless exploration of Aesop’s fable of symbiotic mercy that is nothing short of masterful.

A mouse, narrowly escaping an owl at dawn, skitters up what prove to be a male lion’s tail and back. Lion releases Mouse in a moment of bemused gentility and—when subsequently ensnared in a poacher’s rope trap—reaps the benefit thereof. Pinkney successfully blends anthropomorphism and realism, depicting Lion’s massive paws and Mouse’s pink inner ears along with expressions encompassing the quizzical, hapless and nearly smiling. He plays, too, with perspective, alternating foreground views of Mouse amid tall grasses with layered panoramas of the Serengeti plain and its multitudinous wildlife. Mouse, befitting her courage, is often depicted heroically large relative to Lion. Spreads in watercolor and pencil employ a palette of glowing amber, mouse-brown and blue-green. Artist-rendered display type ranges from a protracted “RRROAARRRRRRRRR” to nine petite squeaks from as many mouselings. If the five cubs in the back endpapers are a surprise, the mouse family of ten, perched on the ridge of father lion’s back, is sheer delight.

Unimpeachable. (Picture book. 3-6)

Pub Date: Sept. 1, 2009

ISBN: 978-0-316-01356-7

Page Count: 40

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2009

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BEAUTIFUL, WONDERFUL, STRONG LITTLE ME!

Mixed-race children certainly deserve mirror books, but they also deserve excellent text and illustrations. This one misses...

This tan-skinned, freckle-faced narrator extols her own virtues while describing the challenges of being of mixed race.

Protagonist Lilly appears on the cover, and her voluminous curly, twirly hair fills the image. Throughout the rhyming narrative, accompanied by cartoonish digital illustrations, Lilly brags on her dark skin (that isn’t very), “frizzy, wild” hair, eyebrows, intellect, and more. Her five friends present black, Asian, white (one blonde, one redheaded), and brown (this last uses a wheelchair). This array smacks of tokenism, since the protagonist focuses only on self-promotion, leaving no room for the friends’ character development. Lilly describes how hurtful racial microaggressions can be by recalling questions others ask her like “What are you?” She remains resilient and says that even though her skin and hair make her different, “the way that I look / Is not all I’m about.” But she spends so much time talking about her appearance that this may be hard for readers to believe. The rhyming verse that conveys her self-celebration is often clumsy and forced, resulting in a poorly written, plotless story for which the internal illustrations fall far short of the quality of the cover image.

Mixed-race children certainly deserve mirror books, but they also deserve excellent text and illustrations. This one misses the mark on both counts. (Picture book. 4-6)

Pub Date: Sept. 14, 2018

ISBN: 978-1-63233-170-0

Page Count: 32

Publisher: Eifrig

Review Posted Online: June 10, 2018

Kirkus Reviews Issue: July 1, 2018

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