An endearing tale about a magical correspondence.
A fantasy novel tells the story of three thieves who inadvertently become advice purveyors after seeking shelter in an abandoned store.
When their car breaks down unexpectedly, three young criminals decide to hide out in a convenience store that has long been out of business. Atsuya, Kohei, and Shota are planning to lie low for a while—at least for the night—but before they can even settle in, an envelope slides through the store’s mail slot. They are immediately suspicious. Who would deliver a missive to a store that hasn’t been open in decades? The letter is from an athlete looking for advice: Should she forgo her Olympic training to take care of her dying boyfriend or push forward to pursue her dream? “As I was struggling on my own with these thoughts, I heard some rumors going around about the Namiya General Store,” she writes. “I know my chances are slim, but I’m writing on the off chance that you might be able to help me figure things out.” The guys discover that the store—when it was in operation—had a reputation for being a place to have questions answered. Kohei, out of boredom, answers the letter and drops it in the mail bin. Almost immediately, he gets a response. The correspondence continues, though the trio can’t tell where the letters are coming from—other than that they seem to be from 30 years in the past. The novel is a bit of a Russian doll, with one layer of narrative opening to reveal the next. Higashino’s (The Name of the Game Is a Kidnapping, 2017, etc.) prose—as translated from the Japanese by Bett (Star, 2019, etc.)—is muscular and concise: “Exiting the station and heading down the street of shops, Kosuke Waku felt an unsettling feeling creep across his chest. He was right. Just as he’d feared, hard times hadn’t spared this town.” More than a time travel mystery, the story is a rather earnest tale of human decision-making, and the author is adept at drawing an emotional response from readers. Inventive and always surprising, this book is easy to get drawn into and difficult to put down.
An endearing tale about a magical correspondence.Pub Date: Sept. 24, 2019
ISBN: 978-1-975382-57-5
Page Count: 320
Publisher: Yen On
Review Posted Online: Oct. 7, 2019
Review Program: Kirkus Indie
An extremely powerful story of a young Southern Negro, from his late high school days through three years of college to his life in Harlem.
His early training prepared him for a life of humility before white men, but through injustices- large and small, he came to realize that he was an "invisible man". People saw in him only a reflection of their preconceived ideas of what he was, denied his individuality, and ultimately did not see him at all. This theme, which has implications far beyond the obvious racial parallel, is skillfully handled. The incidents of the story are wholly absorbing. The boy's dismissal from college because of an innocent mistake, his shocked reaction to the anonymity of the North and to Harlem, his nightmare experiences on a one-day job in a paint factory and in the hospital, his lightning success as the Harlem leader of a communistic organization known as the Brotherhood, his involvement in black versus white and black versus black clashes and his disillusion and understanding of his invisibility- all climax naturally in scenes of violence and riot, followed by a retreat which is both literal and figurative. Parts of this experience may have been told before, but never with such freshness, intensity and power.
This is Ellison's first novel, but he has complete control of his story and his style. Watch it.
Pub Date: April 7, 1952
ISBN: 0679732764
Page Count: 616
Publisher: Random House
Review Posted Online: Sept. 22, 2011
Kirkus Reviews Issue: April 1, 1952
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It’s more than coincidence that the novel features two sets of relatives whose blood ties are once removed, for the family...
Within the current political climate, the reader might expect a new novel about the war in Vietnam to provide a metaphor for Iraq. Yet Denis Johnson has bigger whales to land in his longest and most ambitious work to date. Tree of Smoke is less concerned with any individual war than with the nature of war, and with the essence of war novels. There are echoes here of Joseph Conrad’s Heart of Darkness (particularly as transformed by Francis Ford Coppola into Apocalypse Now) and Joseph Heller’s Catch-22, yet Johnson’s achievement suggests that each generation gets the war—and the war novel—it deserves.
At the center of Johnson’s epic sprawl is Colonel Francis Sands, the novel’s Captain Ahab, a character of profound, obsessive complexity and contradiction. Is he visionary or madman, patriot or traitor? Dead or alive? Or, somehow, all of the above? Because the reader perceives the Colonel (as he is reverently known) through the eyes of other characters, he shimmers like a kaleidoscope of shifting impressions. His military involvement in Asia preceded Japan’s attack on Pearl Harbor, and he has continued to operate as a CIA agent within the shadows of Vietnam, while perhaps answering to no authority higher than his own.
From World War II through the war in Vietnam, much has changed—allegiances and alliances, public sentiment, the modes of modern warfare. Yet the Colonel hasn’t—he won’t or he can’t. Though he is plainly the novel’s pivotal figure, Johnson spends more time inside the psyche of the Colonel’s nephew, William “Skip” Sands, whose father died in action and whose enlistment extends a family tradition. He’s as naïve as the Colonel is worldly, as filled with self-doubt as his uncle is free of it, but he ultimately joins his relative in psychological operations against the enemy—whomever that may be. Eventually, he must decide whether it is possible to serve both his legendary relative and his country.
A less engaging subplot concerns half-brothers Bill and James Houston, who enter the war as teenagers to escape their dead-end lives in Arizona. Where the Sands family operates on the periphery of the war, the Houstons are deep in the muck of it. Though they are what once might have been called cannon fodder, the war gives their lives definition and a sense of mission, of destiny, that is missing back home—which will never again feel like home after Vietnam.
Pub Date: Sept. 1, 2007
ISBN: 978-0-374-27912-7
Page Count: 624
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2007
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