An endearing tale about a magical correspondence.


A fantasy novel tells the story of three thieves who inadvertently become advice purveyors after seeking shelter in an abandoned store.

When their car breaks down unexpectedly, three young criminals decide to hide out in a convenience store that has long been out of business. Atsuya, Kohei, and Shota are planning to lie low for a while—at least for the night—but before they can even settle in, an envelope slides through the store’s mail slot. They are immediately suspicious. Who would deliver a missive to a store that hasn’t been open in decades? The letter is from an athlete looking for advice: Should she forgo her Olympic training to take care of her dying boyfriend or push forward to pursue her dream? “As I was struggling on my own with these thoughts, I heard some rumors going around about the Namiya General Store,” she writes. “I know my chances are slim, but I’m writing on the off chance that you might be able to help me figure things out.” The guys discover that the store—when it was in operation—had a reputation for being a place to have questions answered. Kohei, out of boredom, answers the letter and drops it in the mail bin. Almost immediately, he gets a response. The correspondence continues, though the trio can’t tell where the letters are coming from—other than that they seem to be from 30 years in the past. The novel is a bit of a Russian doll, with one layer of narrative opening to reveal the next. Higashino’s (The Name of the Game Is a Kidnapping, 2017, etc.) prose—as translated from the Japanese by Bett (Star, 2019, etc.)—is muscular and concise: “Exiting the station and heading down the street of shops, Kosuke Waku felt an unsettling feeling creep across his chest. He was right. Just as he’d feared, hard times hadn’t spared this town.” More than a time travel mystery, the story is a rather earnest tale of human decision-making, and the author is adept at drawing an emotional response from readers. Inventive and always surprising, this book is easy to get drawn into and difficult to put down.

An endearing tale about a magical correspondence.

Pub Date: Sept. 24, 2019

ISBN: 978-1-975382-57-5

Page Count: 320

Publisher: Yen On

Review Posted Online: Oct. 7, 2019

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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