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MARILYN MONROE

THE FINAL YEARS

Badman doesn’t so much reveal new information about Monroe as recycle the old into something tawdry and depressing.

A tedious exposé of Marilyn Monroe’s last days commemorates the 50th anniversary of her death.

Badman (Beatles Off the Record, 2008, etc.) plunges headlong into the overcrowded field of Monroe-themed books (“almost 700” by the author’s count) with this nearly day-by-day account of her life from June 1961 to her death in August 1962. After dispensing with her early years in a decent, if rushed, prelude, the author bogs down in minutiae, detailing the amounts paid for household expenses, the airline numbers of various flights and hourly itineraries for her social outings. Badman fares better when he sticks to discussing Monroe’s fraught personal and professional lives. Living off the proceeds from 1959’s blockbuster Some Like It Hot, she embarked on the debacle of preparing to star in Something’s Got to Give, a film so entrenched in snafus that it deserves a biography of its own. Having recently turned 35, Monroe was beginning to feel the cold shoulder that Hollywood has traditionally shown women entering middle age, and her own insecurities and reliance on barbiturates led to relationships with unscrupulous hangers-on. Most bizarrely, her psychiatrist insisted on daily sessions, prescribed the potent sedative chloral hydrate, which contributed to her death, and even installed a spy/housekeeper in her home to report back to him on Monroe’s doings. Along with the fact that the FBI was bugging her home and that she counted shady Rat Pack actors like Peter Lawford and Frank Sinatra as her friends, her lonely death comes across as an inevitability, accidental or not.

Badman doesn’t so much reveal new information about Monroe as recycle the old into something tawdry and depressing.

Pub Date: July 17, 2012

ISBN: 978-0-312-60714-2

Page Count: 352

Publisher: Dunne/St. Martin's

Review Posted Online: May 16, 2012

Kirkus Reviews Issue: June 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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