Whether they’re counting scores of peas, enjoying the rhymes and puns or relishing the funny visual quirks, families are...

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1-2-3 PEAS

After an alphabetical, rhyming tour de force (LMNO Peas, 2010), Baker’s energetic pea pack is back—this time, to count by ones and 10s.

Baker sidesteps the trickiness of rhyming the numerals by selecting a repeating word for each short verse. “ONE pea searching—look, look, look, / TWO peas fishing—hook, hook, hook.” Those numerals rise sky-high (to peas, at least) to dominate the digitally composed visuals, often serving as props for the frenzy of vegetative activity. At “TEN peas building—pound, pound, pound,” the peas erect a wooden platform around the numeral—mainly, it would seem, as an excuse for exuberantly hammering dozens of nails. Baker circumvents those oft-pesky ’teens in one deft double-page spread: “Eleven to nineteen—skip, skip, skip!” Then it’s a double-page spread per decade, with peas traveling, napping, watching fireworks and more. “SEVENTY peas singing” provide a bevy of details to spy: A fab foursome (the Peatles) rocks out above a chorus and director. Nearby, a barbershop quartet, a Wagnerian soloist, a showering pea and a dancing “Peayoncé” add to the fun. 

Whether they’re counting scores of peas, enjoying the rhymes and puns or relishing the funny visual quirks, families are sure to devour Baker’s latest winner. Totally ap-pea-ling! (Picture book. 3-7)

Pub Date: July 24, 2012

ISBN: 978-1-4424-4551-2

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: May 30, 2012

Kirkus Reviews Issue: June 15, 2012

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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

YOUR BABY'S FIRST WORD WILL BE DADA

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

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A comical, fresh look at crayons and color

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THE DAY THE CRAYONS QUIT

Duncan wants to draw, but instead of crayons, he finds a stack of letters listing the crayons’ demands in this humorous tale.

Red is overworked, laboring even on holidays. Gray is exhausted from coloring expansive spaces (elephants, rhinos and whales). Black wants to be considered a color-in color, and Peach? He’s naked without his wrapper! This anthropomorphized lot amicably requests workplace changes in hand-lettered writing, explaining their work stoppage to a surprised Duncan. Some are tired, others underutilized, while a few want official titles. With a little creativity and a lot of color, Duncan saves the day. Jeffers delivers energetic and playful illustrations, done in pencil, paint and crayon. The drawings are loose and lively, and with few lines, he makes his characters effectively emote. Clever spreads, such as Duncan’s “white cat in the snow” perfectly capture the crayons’ conundrum, and photographic representations of both the letters and coloring pages offer another layer of texture, lending to the tale’s overall believability.

A comical, fresh look at crayons and color . (Picture book. 3-7)

Pub Date: June 27, 2013

ISBN: 978-0-399-25537-3

Page Count: 40

Publisher: Philomel

Review Posted Online: April 15, 2013

Kirkus Reviews Issue: May 1, 2013

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