A standard tale of suspense in a beautifully unusual setting.

READ REVIEW

THE MOTION OF PUPPETS

Love pulls everybody’s strings.

The Harpers are new to Quebec: Kay works for the cirque, and Theo works at home, translating a biography of Eadweard Muybridge from French to English. Their hazy summer in the Old City takes a horrifying turn when Kay, drawn each day to a puppet store’s front window, is chased into the store late at night and, somehow, turned into a puppet. To Theo and the Quebec police, it seems she has disappeared, and in a way, she has: into the back room of the Quatre Mains, where she and the other puppets are only permitted to move from midnight to sunrise and where her humanity begins to fade away. Despite a lack of clues, Theo comes to believe he can find her and is willing to follow wherever the trail leads—even when it means believing his wife is no longer human. Unsurprisingly, a willingness to suspend disbelief is crucial to making it to the end of this story, and fans of Donohue’s earlier books (The Boy Who Drew Monsters, 2015, etc.) will enjoy this mixture of horror, magical realism, and mystery. The love story at the heart of the book keeps the two meandering storylines stitched together, though not gracefully. Devotees of Neil Gaiman and Steven Millhauser will appreciate Donohue’s willingness to get weird and to dig into ancient myth for inspiration; others may just be irritated.

A standard tale of suspense in a beautifully unusual setting.

Pub Date: Oct. 4, 2016

ISBN: 978-1-250-05718-1

Page Count: 272

Publisher: Picador

Review Posted Online: July 20, 2016

Kirkus Reviews Issue: Aug. 1, 2016

Did you like this book?

No Comments Yet

King fans won’t be disappointed, though most will likely prefer the scarier likes of The Shining and It.

THE INSTITUTE

The master of modern horror returns with a loose-knit parapsychological thriller that touches on territory previously explored in Firestarter and Carrie.

Tim Jamieson is a man emphatically not in a hurry. As King’s (The Outsider, 2018, etc.) latest opens, he’s bargaining with a flight attendant to sell his seat on an overbooked run from Tampa to New York. His pockets full, he sticks out his thumb and winds up in the backwater South Carolina town of DuPray (should we hear echoes of “pray”? Or “depraved”?). Turns out he’s a decorated cop, good at his job and at reading others (“You ought to go see Doc Roper,” he tells a local. “There are pills that will brighten your attitude”). Shift the scene to Minneapolis, where young Luke Ellis, precociously brilliant, has been kidnapped by a crack extraction team, his parents brutally murdered so that it looks as if he did it. Luke is spirited off to Maine—this is King, so it’s got to be Maine—and a secret shadow-government lab where similarly conscripted paranormally blessed kids, psychokinetic and telepathic, are made to endure the Skinnerian pain-and-reward methods of the evil Mrs. Sigsby. How to bring the stories of Tim and Luke together? King has never minded detours into the unlikely, but for this one, disbelief must be extra-willingly suspended. In the end, their forces joined, the two and their redneck allies battle the sophisticated secret agents of The Institute in a bloodbath of flying bullets and beams of mental energy (“You’re in the south now, Annie had told these gunned-up interlopers. She had an idea they were about to find out just how true that was"). It’s not King at his best, but he plays on current themes of conspiracy theory, child abuse, the occult, and Deep State malevolence while getting in digs at the current occupant of the White House, to say nothing of shadowy evil masterminds with lisps.

King fans won’t be disappointed, though most will likely prefer the scarier likes of The Shining and It.

Pub Date: Sept. 10, 2019

ISBN: 978-1-9821-1056-7

Page Count: 576

Publisher: Scribner

Review Posted Online: Aug. 4, 2019

Kirkus Reviews Issue: Aug. 15, 2019

Did you like this book?

This riveting Gothic thriller explores the limits of love, guilt, and punishment.

THE SHAPE OF NIGHT

Running away from the memory of a New Year’s Eve party gone terribly wrong, food writer Ava Collette escapes Boston for a remote Maine village only to face a haunted house and a murder investigation.

Bestselling author of the Rizzoli & Isles series, Gerritsen (I Know a Secret, 2017, etc.) returns with a spellbinding thriller. The focus stays tightly on the experience of the potential victim, Ava, which enables Gerritsen to spin a tight web. Entangled in her own guilt, Ava isolates herself further and further, avoiding calls from her sister and living alone in the ominous Brodie’s Watch mansion, named for its builder, a shipping master lost to sea more than a hundred years ago. Although Brodie’s Watch initially frightens Ava, the moment she steps over the threshold, she feels inexplicably welcomed. Indeed, she is most welcome, as the shadows in her bedroom coalesce into the shape of a man, a man who may well be the ghost of Capt. Brodie. He stalks the house most nights, seducing Ava into not only the passions of love, but also atonement through punishment meted out for her sins. And so Gerritsen shifts a murder mystery into a Gothic thriller, replete with an unsteady widow’s walk, secret alcove, strange smells, ominous sensations, and the ghost. Even the prologue echoes the dream of Manderley from Du Maurier’s Rebecca. But then a dead body washes ashore, and the police investigation suggests the dead woman was killed before she hit the water. Fearful that her spectral lover may be a real-life murderer, Ava inquires about Charlotte Nielson, the young woman who rented Brodie’s Watch before her and left in an inexplicable hurry. But Ava’s investigation uncovers a disturbing list of dead women, which the townspeople seem to have spackled over. Who are they protecting?

This riveting Gothic thriller explores the limits of love, guilt, and punishment.

Pub Date: Oct. 1, 2019

ISBN: 978-1-9848-2095-2

Page Count: 288

Publisher: Ballantine

Review Posted Online: July 15, 2019

Kirkus Reviews Issue: Aug. 1, 2019

Did you like this book?

No Comments Yet
more