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LET THEM WHIMPER

A FULLY JUSTIFIED (IN NO WAY PERSONAL) ARGUMENT FOR THE ABANDONMENT OF HUMANKIND

An epic, entertaining fusion of hilarity, unease, and memorably eccentric characters.

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In this debut satire, people in a dystopian nation unwittingly cross paths with a fiendish being who’s crusading for the Apocalypse.

Park ranger Trent Taphor cares for his twin brother, Calvin, who has Down syndrome. That doesn’t mean that Trent is too preoccupied to notice that his fellow Californians are evacuating their homes on account of the “anomaly” popping up on the Doppler radar. On the same night that the mass of “goopy dots” appears, Calvin vanishes, soon after encountering creepy, perpetually smiling Mr. Moony. Not far away, a local cult, certain this event spells the impending end of days, names member Don Philly, a writer who’s actually undercover for research, as the “Chosen” one to face whatever doom awaits. Ten years later, the U.S. has become the Divided States of America while a series of calamities, including merciless storms and another civil war, have shaken the country. Calvin is effectively imprisoned with others whom Mr. Moony dubs “the significants,” while Trent and Philly, both having apparently swallowed one of those dots (which are even worse than they initially seemed), are affected in a disturbing fashion. The twins and this so-called Chosen writer most assuredly have links to a diabolical plan that Mr. Moony has brewing, in which he’ll ensure the Apocalypse transpires. Doing so requires more people whom he draws together—hacker and former reality TV star Love; her psychedelic therapist and former best friend, Yew; and high school principal Gary Mustafa. Combine all of them with recently christened Eden’s End, a quasi-utopia on the DSA’s West Coast, and Mr. Moony may very well get the Apocalypse he’s craving.

The first third of Enterante’s 446-page novel, which centers primarily on Trent, Calvin, and Philly, leans toward horror. This element comes courtesy of Mr. Moony’s chilling introduction in the pitch-black night, the inexplicable “storm” aimed at California, and Trent’s eerie tendency to converse with his meat cleaver, Dex. But the story changes direction following a time jump and the corresponding exposition that the narrative sprints through. The original trio sadly fades into a gradually expanding cast, with the plot becoming more devoted to unraveling mysteries and connecting characters in sometimes surprising ways. Of course, this new focus also prompts darkly comedic turns that lampoon such topical issues as America’s political polarization and the prevalence of social media and technology. For example, the DSA’s three politically charged “Zones”—Red, White, and Blue—abide by the oxymoronic Treaty of the Divided Alliance. Such drollness runs throughout the book, from Philly on the phone with his wife in Florida and oblivious that she’s clearly enjoying someone else’s company to Yew taking a call during a therapy session and convincing her patient that the ringtone was an LSD hallucination. Enterante takes advantage of the futuristic setting, with robotic Skeeter-5000s joining the cast and someone using tech to provoke a tragedy. This work’s curious structure employs an unknown narrator who adds periodic asides to an omniscient narrative (“Mind You, I’m nearly finished with my tale’s whole setup—just so You know”). While most readers will work out who this figure is, the narration leads to an unforgettable and truly worthy ending.

An epic, entertaining fusion of hilarity, unease, and memorably eccentric characters.

Pub Date: Sept. 1, 2023

ISBN: 9798987733806

Page Count: 458

Publisher: Oblivion Press

Review Posted Online: March 11, 2024

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PARTITA

Brilliant, affecting work from one of contemporary literature’s masters.

A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.

We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.

Brilliant, affecting work from one of contemporary literature’s masters.

Pub Date: Oct. 6, 2026

ISBN: 9780063577541

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: July 6, 2026

Kirkus Reviews Issue: Aug. 1, 2026

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  • New York Times Bestseller

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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