by Keith Lee Morris ‧ RELEASE DATE: Jan. 5, 2016
The physics of Good Night might be questionable, but the lasting impact on the characters is rather poignant.
Alice in Wonderland meets The Shining when four travelers are stranded in Good Night, Idaho, during a freak blizzard.
There is something seductive about the Travelers Rest hotel. For Julia Addison, it is settling into an oddly familiar bed in the hotel and dreaming, beyond worry about her husband and son. And for her husband, Tonio, there is a mysterious blonde woman in silver shoes whom he follows, leaving their son, Dewey, behind. Dewey is unimpressed by this strange hotel in this strange town where the snow never seems to stop falling. Sure, he receives more chocolate pie than he could ever eat from the rough but sympathetic owners of the diner, but the novelty of having no parents to whom he must report quickly wears thin. And then there’s Uncle Robbie, fresh from rehab, who looks at the whole adventure as a chance to go on the binge of a lifetime and finally cut ties with his responsible older brother. Mostly they flit in and out of their separate experiences that seem to take place in varying times and places, though occasionally one character will catch a ghostly glimpse of another. As the truth begins to come out about Good Night’s history and the Addisons’ role in it, there is ultimately a rather satisfactory answer to most of the mystery and questions and flashbacks. Morris (Call It What You Want, 2010, etc.) insists on using epigraphs from Proust throughout the book, which detracts from rather than adds to the novel’s own illustration of the themes of memory and reality. Though a bit slow to begin, because the characters find themselves lost before we even get to know them, the novel gradually proves itself weighty, suspenseful, and even wistful.
The physics of Good Night might be questionable, but the lasting impact on the characters is rather poignant.Pub Date: Jan. 5, 2016
ISBN: 978-0-316-33582-9
Page Count: 368
Publisher: Little, Brown
Review Posted Online: Oct. 19, 2015
Kirkus Reviews Issue: Nov. 1, 2015
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Cixin Liu ; translated by Ken Liu ‧ RELEASE DATE: Nov. 11, 2014
Remarkable, revelatory and not to be missed.
Strange and fascinating alien-contact yarn, the first of a trilogy from China’s most celebrated science-fiction author.
In 1967, at the height of the Cultural Revolution, young physicist Ye Wenjie helplessly watches as fanatical Red Guards beat her father to death. She ends up in a remote re-education (i.e. forced labor) camp not far from an imposing, top secret military installation called Red Coast Base. Eventually, Ye comes to work at Red Coast as a lowly technician, but what really goes on there? Weapons research, certainly, but is it also listening for signals from space—maybe even signaling in return? Another thread picks up the story 40 years later, when nanomaterials researcher Wang Miao and thuggish but perceptive policeman Shi Qiang, summoned by a top-secret international (!) military commission, learn of a war so secret and mysterious that the military officers will give no details. Of more immediate concern is a series of inexplicable deaths, all prominent scientists, including the suicide of Yang Dong, the physicist daughter of Ye Wenjie; the scientists were involved with the shadowy group Frontiers of Science. Wang agrees to join the group and investigate and soon must confront events that seem to defy the laws of physics. He also logs on to a highly sophisticated virtual reality game called “Three Body,” set on a planet whose unpredictable and often deadly environment alternates between Stable times and Chaotic times. And he meets Ye Wenjie, rehabilitated and now a retired professor. Ye begins to tell Wang what happened more than 40 years ago. Jaw-dropping revelations build to a stunning conclusion. In concept and development, it resembles top-notch Arthur C. Clarke or Larry Niven but with a perspective—plots, mysteries, conspiracies, murders, revelations and all—embedded in a culture and politic dramatically unfamiliar to most readers in the West, conveniently illuminated with footnotes courtesy of translator Liu.
Remarkable, revelatory and not to be missed.Pub Date: Nov. 11, 2014
ISBN: 978-0-7653-7706-7
Page Count: 400
Publisher: Tor
Review Posted Online: Oct. 4, 2014
Kirkus Reviews Issue: Oct. 15, 2014
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by Cixin Liu ; translated by Joel Martinsen
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by Cixin Liu ; translated by Joel Martinsen
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