A pulpy, entertaining throwback about bad men and real monsters.
The unlikeliest of monster hunters teams up with her uncle, a burned-out Vietnam vet, seeking revenge.
Feeling his oats after the knockout twofer of Fever House (2023) and its sequel, The Devil by Name (2024), Rosson returns with an even grungier throwback, dressed up as a vampire-infested road novel. In December 1975, just outside Portland, Oregon, roughneck bartender Duane Minor knows he’s on thin ice. His wife, Heidi, a college student who dreams of becoming a writer, is none too pleased with his PTSD and burgeoning drinking problem. Duane is managing to just hold down his in-laws’ bar, the Last Call Tavern, but he knows something funny is going on with the business. Meanwhile, Heidi and Duane are both trying to connect with Heidi’s 13-year-old niece, Julia, who was reluctantly sent to them after her mother murdered her stepfather. It’s a rough scene made worse when Duane has a bad run-in at the bar one night with a bunch of bikers led by one John Varley. After the century-old Varley viciously dismembers both Heidi and her parents, Duane and Julia hit the road seeking vengeance. For horror fans, this is closer to crime fiction than loftier vampire fare—think Richard Lange’s terrific outlier Rovers (2021) or From Dusk Till Dawn in lieu of tortured immortals in velvet capes. Julia’s character takes a dramatic turn after they encounter a sanctuary dubbed the Children’s Museum, led by an ancient, lonely creature called Adeline. Even as he and Julia navigate this bizarre subculture, Duane’s defining characteristic remains the conflict between his inner demons and his outer ones. “You want that man to come forward, that killer I was, but I’ll drown if I do it. I’ll die,” he swears. Meanwhile, John Varley and his psychotic “thrall” leave a bloody trail across the country, chased by one broken man and a little girl with nothing but half a dozen silver bullets to their names.
A pulpy, entertaining throwback about bad men and real monsters.Pub Date: Sept. 9, 2025
ISBN: 9780593733400
Page Count: 320
Publisher: Random House
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
Although it lacks the surgical precision of Slaughter’s very best nightmares, this one richly earns its title.
More than a decade after a Georgia man is convicted of a monstrous double murder, an uncomfortably similar crime frees him and resets the search for the guilty party.
In Clifton County, home to the Rich Cliftons and the other Cliftons, the disappearance of teens Madison Dalrymple and Cheyenne Baker during the Halloween festivities hits everyone in North Falls hard. Working with her father, Sheriff Gerald Clifton, Deputy Emmy Lou Clifton hears the clock ticking down as she races frantically to get leads on the two friends, who’d been secretly plotting to take off for Atlanta after some undisclosed big score. As a longtime friend of Madison’s mother, Hannah, Emmy hopes against hope to find the missing teens before they’re both dead. By the time Emmy’s hopes are dashed, two unpleasantly likely suspects with strong attachments to underage sex partners have emerged, and one of them ends up in prison. In a bold move, Slaughter jumps over the next 12 years to the case of Paisley Walker, a 14-year-old whose disappearance catches the eye of retiring FBI criminal psychologist Jude Archer, who promptly crosses the country to come to Clifton County and take charge—um, that is, consult—on this heartrending new investigation. Emmy, suddenly and shockingly deprived of counsel from the parents who’ve supported her all her life, doesn’t get along any better with Jude than with the larger circle of Cliftons and the Clifton-Cliftons. But together they identify one new suspect, then another, before a shootout that arrives so early you just know there are still more surprises to come.
Although it lacks the surgical precision of Slaughter’s very best nightmares, this one richly earns its title.Pub Date: Aug. 12, 2025
ISBN: 9780063336773
Page Count: 448
Publisher: Morrow/HarperCollins
Review Posted Online: May 16, 2025
Kirkus Reviews Issue: June 15, 2025
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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