ROAD SEVEN

An engrossing and creative story of the wonders of the unknown with an Icelandic accent.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

An anthropologist and his sidekick investigate a mysterious video that may show a unicorn in this novel that blends an Icelandic adventure with magical realism.

Mark Sandoval’s alien abduction memoir was made into a Hollywood blockbuster starring Brad Pitt, and he plans to study otherworldly beings further on a site visit to Iceland. Without revealing all of his aims, the self-described “renowned cultural anthropologist” and “famed cryptozoologist” enlists as his research assistant Brian Schutt, a headache-prone academic with a doctoral dissertation that's stuck in creative limbo back in Portland, Oregon. Schutt is mystified by the geometric scarring that covers his boss’s body—a “cosmic roadmap” or perhaps “warning or prophecy,” Sandoval’s memoir had suggested. Once both men trek to the Icelandic town of Hvíldarland, they bond over their shared fascination with mythical entities, cryptic creatures, and historical lore. Sandoval soon reveals the expedition’s true purpose: to investigate a grainy video sent to Sandoval of what looks like a unicorn on a pumpkin farm. Though Schutt is more skeptical, the trip provides a timely escape from his messy family melodrama and a dire health diagnosis. As they dig deeper into the area’s mystical folklore and haunted forest, all of it becomes a terrific thrill for Schutt, a man “still doggy-paddling through his academic career,” and Sandoval, hoping to lay claim to discovering the elusive creature with droppings that consist of “a gleaming coruscation of granulated glitter.” As in his Smoke City (2017), Rosson offers crisp characterization and surprising twists. Here he maps a magical journey through the wilds of rural Iceland and into a kaleidoscopic terrain filled with secretly active military bases and muddied body parts that sully what began as an innocent expedition into the supernatural. While the conclusion is disappointingly hokey and doesn’t quite measure up to the narrative mysticism and preternatural wonder preceding it, Rosson’s clever, swiftly paced story has more than enough to keep readers turning the pages and wanting to believe.

An engrossing and creative story of the wonders of the unknown with an Icelandic accent.

Pub Date: July 14, 2020

ISBN: 978-1-946154-29-3

Page Count: 300

Publisher: Meerkat Press, LLC

Review Posted Online: April 2, 2020

Kirkus Reviews Issue: June 1, 2020

Categories:

Awards & Accolades

Likes

  • Readers Vote
  • 18


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2022


  • New York Times Bestseller


  • Pulitzer Prize Winner

DEMON COPPERHEAD

An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.

Awards & Accolades

Likes

  • Readers Vote
  • 18


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2022


  • New York Times Bestseller


  • Pulitzer Prize Winner

Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South.

It’s not necessary to have read Dickens’ famous novel to appreciate Kingsolver’s absorbing tale, but those who have will savor the tough-minded changes she rings on his Victorian sentimentality while affirming his stinging critique of a heartless society. Our soon-to-be orphaned narrator’s mother is a substance-abusing teenage single mom who checks out via OD on his 11th birthday, and Demon’s cynical, wised-up voice is light-years removed from David Copperfield’s earnest tone. Yet readers also see the yearning for love and wells of compassion hidden beneath his self-protective exterior. Like pretty much everyone else in Lee County, Virginia, hollowed out economically by the coal and tobacco industries, he sees himself as someone with no prospects and little worth. One of Kingsolver’s major themes, hit a little too insistently, is the contempt felt by participants in the modern capitalist economy for those rooted in older ways of life. More nuanced and emotionally engaging is Demon’s fierce attachment to his home ground, a place where he is known and supported, tested to the breaking point as the opiate epidemic engulfs it. Kingsolver’s ferocious indictment of the pharmaceutical industry, angrily stated by a local girl who has become a nurse, is in the best Dickensian tradition, and Demon gives a harrowing account of his descent into addiction with his beloved Dori (as naïve as Dickens’ Dora in her own screwed-up way). Does knowledge offer a way out of this sinkhole? A committed teacher tries to enlighten Demon’s seventh grade class about how the resource-rich countryside was pillaged and abandoned, but Kingsolver doesn’t air-brush his students’ dismissal of this history or the prejudice encountered by this African American outsider and his White wife. She is an art teacher who guides Demon toward self-expression, just as his friend Tommy provokes his dawning understanding of how their world has been shaped by outside forces and what he might be able to do about it.

An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.

Pub Date: Oct. 18, 2022

ISBN: 978-0-06-325-1922

Page Count: 560

Publisher: Harper/HarperCollins

Review Posted Online: July 13, 2022

Kirkus Reviews Issue: Aug. 1, 2022

WELLNESS

A warmhearted satire that chronicles our “perfectly, stupidly, dreadfully elegant” accommodations to life.

A bittersweet novel of love gained, lost, and regained over the course of decades.

“They stare across the alley, into dark apartments, and they don’t know it, but they’re staring at each other.” It’s not an outtake from Hitchcock’s Rear Window but instead the wistful longings of two lonely people. Jack Baker, newly arrived in Chicago from Kansas in the 1990s, is a talented photographer who bristles when practical-minded people ask him what his work is about—to say nothing of why he works with Polaroids, which, a hipster friend reminds him, “are mass-produced, instant, cheap, impermanent.” Yes, and that’s the point, for though Jack comes from the windblown prairie, he’s pretty avant-garde. Elizabeth Augustine is a quadruple major at DePaul, “five majors if you count theater, which I have no talent for but enjoy nonetheless,” and exactly the woman Jack hoped he would meet. Life proceeds: That arty hipster becomes a real estate mogul who plants them in a development very much outside their price range until Elizabeth pulls down the big bucks from the psychological research firm that gives Hill’s latest its simple title. “Basically they were a watchdog group, a subcontractor for the FDA and FTC, sniffing out bullshit,” Hill writes, but Elizabeth, scraping by while Jack pulls down pennies as an adjunct professor, discovers that there’s hay to be made creating bullshit rather than exposing it—making airplane seats narrower, for instance, and then selling once normal-sized seats at a premium. Hill romps through our soufflélike culture with a nice sendup of academic literature and broad jabs at memes ranging from organic food (“one-hundred-percent bioavailable”) to progressive parenting, open marriage, and cult behavior (“Elizabeth knew...that the thing that most effectively strengthened and deepened delusions was being surrounded by people who shared the same delusions”) while delivering a story that suggests that while love may not conquer all, it makes a good start.

A warmhearted satire that chronicles our “perfectly, stupidly, dreadfully elegant” accommodations to life.

Pub Date: Sept. 26, 2023

ISBN: 9780593536117

Page Count: 624

Publisher: Knopf

Review Posted Online: June 21, 2023

Kirkus Reviews Issue: July 15, 2023

Close Quickview