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ROAD SEVEN

An engrossing and creative story of the wonders of the unknown with an Icelandic accent.

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An anthropologist and his sidekick investigate a mysterious video that may show a unicorn in this novel that blends an Icelandic adventure with magical realism.

Mark Sandoval’s alien abduction memoir was made into a Hollywood blockbuster starring Brad Pitt, and he plans to study otherworldly beings further on a site visit to Iceland. Without revealing all of his aims, the self-described “renowned cultural anthropologist” and “famed cryptozoologist” enlists as his research assistant Brian Schutt, a headache-prone academic with a doctoral dissertation that's stuck in creative limbo back in Portland, Oregon. Schutt is mystified by the geometric scarring that covers his boss’s body—a “cosmic roadmap” or perhaps “warning or prophecy,” Sandoval’s memoir had suggested. Once both men trek to the Icelandic town of Hvíldarland, they bond over their shared fascination with mythical entities, cryptic creatures, and historical lore. Sandoval soon reveals the expedition’s true purpose: to investigate a grainy video sent to Sandoval of what looks like a unicorn on a pumpkin farm. Though Schutt is more skeptical, the trip provides a timely escape from his messy family melodrama and a dire health diagnosis. As they dig deeper into the area’s mystical folklore and haunted forest, all of it becomes a terrific thrill for Schutt, a man “still doggy-paddling through his academic career,” and Sandoval, hoping to lay claim to discovering the elusive creature with droppings that consist of “a gleaming coruscation of granulated glitter.” As in his Smoke City (2017), Rosson offers crisp characterization and surprising twists. Here he maps a magical journey through the wilds of rural Iceland and into a kaleidoscopic terrain filled with secretly active military bases and muddied body parts that sully what began as an innocent expedition into the supernatural. While the conclusion is disappointingly hokey and doesn’t quite measure up to the narrative mysticism and preternatural wonder preceding it, Rosson’s clever, swiftly paced story has more than enough to keep readers turning the pages and wanting to believe.

An engrossing and creative story of the wonders of the unknown with an Icelandic accent.

Pub Date: July 14, 2020

ISBN: 978-1-946154-29-3

Page Count: 300

Publisher: Meerkat Press, LLC

Review Posted Online: April 2, 2020

Kirkus Reviews Issue: June 1, 2020

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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